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1、華東師范大學博士學位論文近代戲劇的傳承與開拓姓名：田根勝申請學位級別：博士專業(yè)：中國古代文學指導教師：趙山林2003.4.28AbstractThepresentresearchtopic，fromthebroadperspectiveofinheritanceandexploration，explorestheculturalchangeofcontemporaryplayscontinuouslyandconsistentlyfur

2、thermore，intendstodemonstratesuchaspectsofcontemporaryplaysastheirbackground，updatingfeatures，theoreticalideas，creativerulesandstageperformanceAsaresult，itrealisticallysetsastandardofcontemporaryplaysinthedevelopmentofth

3、eChinesecontemporaryplaysThedissertationcoversthreeaspects(ie“performanceandstyle”，“pla31vritingandcreation’’and‘‘theoriesandideas’”andninepartsasfollows：Introduction：TheproducingandfeaturesofcontemporaryplaysIncloserela

4、tiontothepolitieseconomyandregioninwhichcontemporaryplayswereproduced，thedissertationrevealstheirvariousfeaturesandcontributioninthewidebackgroundofthecontemporaryChinesecultureChapterhThecontemporaryreformofstageperform

5、ancestyleandappraisingideasDuringthedynastiesofDaoguang，Xianfeng，TongzhiandGuangxu，peopleweregraduallydiscontentedwiththeplaysofLuantanofwhichcharactersweremostlyfemaleandactswereaboutfamiliesandtheelegantlytunedZheziofK

6、nnplays，bothofwhichwereproducedinthedynastiesofQianlongandJiaqingHoweverthePihuangplays，whichwerecharacterizedbyoldmalecharacters，historicalplaysandroaringHuangtune，cameintobeingandhadgrewperfecteversinceThemainstreamtur

7、nedtothevigorous，updatingperformancestyleandappraisingideasChapterIhExtensionandtransformation：BeijingoperaandShanghaioperaBeijingoperahaddeeplychangedinitsmanagementandartistics時ieafteritwasintroducedinShanghaiBytheendo

8、fthe19centurysouthernBeijingoperahadoriginatedfromtheconfusionofBeijingopera，AnhuioperaandBangziplayIntheearly20”1centurythepeopleinthecircleofBeijingoperainShanghaibegantoconsciouslybuildandconsummatetheirownartisticsty

9、le，meanwhile，theypointedouttheimprovementofBeijingoperabyparticipatinginbourgeoisiedemocraticrevolutionConsequently，southernBeijingoperainShanghaigrewupquicklyandcontestedwithoriginalBeijingopera，thus，developedintoitsown

10、uniqueartisticstyleChapterIII：TheinnovationoftraditionalplaysThischapterintendstodiscussthetraditioninheritingofcontemporaryplaysandtheirinnovationinviewoftheoriginofBeijingopera’SactsTheinnovationischaracterizednotonlyb

11、ytheirdevelopinghistoricalSUbjectsandtheactororientedplaywritingsystembutalsobysomematurescriptshandledbydistinguishedactorsChapterIV：ThefashionofnewhistoricalplaysbyactorsThischapterdealswiththefollowingpoints：theorigin

12、ofthehistoricalplaysbyactorsandtheirSUbjects’trends；people’Svaluejudgmentandactors’historicalplaywriting；people’Saestheticvalueandactors’historicalplaywriting；theextremegrowingofstylizinginactors’historicalplaywritingCha

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