《溪山琴況》與古箏藝術理論研究.pdf

1、分類號UDClIIIIIIIIIIIIIIIIIIIY3432835埸H1大譬YANGZHOUUNIVERSITY學號叢15Q皇2Q密級——碩士學位論文(學術學位)《溪山琴況》與古箏藝術理論研究劉穎申請學位級別：碩士論文提交日期：至Q!墨生三月2旦論文答辯曰期：2Q!墨生魚旦2旦學位授予單位：塹劌盤堂學位授予日期：2Q!墨生魚旦3Q旦答辯委員會主席：揚氐鏖塾撞2018年6月II揚州大學碩士學位論文AbstractGuqinandGuzh

2、efigareveryimportantintraditionalChinesemusicalinstrumentsTheyarequitesimilarBothofthemhavemanysimilaritiesintermsofplayingtechniques，shapesystem，theirrespectiveculturalconnotationsandtheiraestheticattributesAccordingtot

3、hehistoryofdevelopment，Guqinwascalled“Thehalidom，theFirstoftheEightSounds”inancienttimes，anditcangovernthetemperamentofthepersonandregulatetheperson’Sheart，mind，andspirittheupperclasswerealwaysgoodatitHoweverZhengispurel

4、yamongthefolkinstrumentalmusic，anditisdifficulttoachieveeleganceJudgingfromtherelevantliterature，QinhasbeenextremelyrichinhistoricalrecordsButcomparedwithQin，ZhengisquitepoorinhistoricalrecordsbutcomparedwithZheng，itlack

5、smuchItcanbeseenthatZhengisalittlebitthininculturecomparedtotheprofoundcultureofQinDuringthedevelopmentoftheguqin，“XiShanQinGe”wasagreatperformerintheancientdynastyQintheoryItcanbeseenthatZhengisalittlebitthinincultureco

6、mparedtotheprofoundcultureofQinDuringthedevelopmentoftheguqin，“XiShanQinGe’’wasagreatperformerintheancientdynastyQintheoryItnotonlyproposestwentyfourstatesforChinArt，suchasharmony，calm，claritydistance，ancientness，flatnes

7、s，gracefulness，easement，elegance，beauty，brightness，mien，cleanliness，smoothness，roundness，determination，magnificence，fineness，silkiness，vigor，lightness，heaviness，tardiness，andfastness，butalsocombinesperformanceaestheticst

8、hinkingintheorywiththesetwenty—fourstatesTheappearanceof”XiShanQinxi’’hasnotonlyinheritedanddevelopedthelyricalideasofancienttimes，butalsobasedonaesthetics，whichisalsoareferenceforthedevelopmentofcontemporaryinstrumental

9、performancesI’dliketousethetwentyfourconditionsproposedbyplayingskillsin”XiShanQinGe”asatheoreticalbasis，combinngmyownteachingandplayingexperienceandapplythemtotraditionalZhengperformancesIhopetousemyresearchonthe”XiShan

10、QinShi?！痶opromotethetheoreticalsystemofGuzhengperformingartsThemainstructureofthearticleiSasfollows：Thefirstchapter：Ingeneral，itoutlinesthe“XiShanQinKuang’’undertheinfluenceoftraditionalmusicaestheticsandfocusesonthecore