高中英語選修6課文逐句翻譯(人教新課標(biāo))

1、1.選修六選修六Unit1ASHTHISTYOFWESTERNPAINTING西方繪畫藝術(shù)簡(jiǎn)史Artisinfluencedbythecustomsfaithofapeople.藝術(shù)是受著人民生活習(xí)俗和信仰的影響的。StylesinWesternarthavechangedmanytimes.西方的藝術(shù)風(fēng)格經(jīng)歷了多次變革。AstherearesomanydifferentstylesofWesternartitwouldbeimposs

2、ibletodescribealloftheminsuchashttext.由于西方的藝術(shù)風(fēng)格多種多樣，在短短的一篇課文里不可能進(jìn)行全面的描述。ConsequentlythistextwilldescribeonlythemostimptantonesstartingfromthesixthcenturyAD.因此本文只談及從公元6世紀(jì)以來最主要的幾種藝術(shù)風(fēng)格。ThedleAges(5thtothe15thcenturyAD)中世紀(jì)(公

3、元5世紀(jì)到15世紀(jì))DuringthedleAgesthemainaimofpainterswastorepresentreligiousthemes.在中世紀(jì)畫家的主要任務(wù)是把宗教的主題表現(xiàn)出來。Aconventionalartistofthisperiodwasnotinterestedinshowingnaturepeopleastheyreallywere.一個(gè)傳統(tǒng)的藝術(shù)家無意于如實(shí)地展現(xiàn)自然和人物。Atypicalpictur

4、eatthistimewasfullofreligioussymbolswhichcreatedafeelingofrespectlovefGod.那個(gè)時(shí)期的典型的繪畫充滿了宗教的(象)特征體現(xiàn)出了對(duì)上帝的愛戴與敬重。Butitwasevidentthatideaswerechanginginthe13thcenturywhenpainterslikeGiottodiBondonebegantopaintreligiousscenesi

5、namerealisticway.但是很顯然到了13世紀(jì)時(shí)觀念發(fā)生變化像喬托這樣的畫家開始以一種比較現(xiàn)實(shí)的風(fēng)格來畫宗教場(chǎng)景。TheRenaissance(15thto16thcentury)文藝復(fù)興時(shí)期(15世紀(jì)到16世紀(jì))DuringtheRenaissancenewideasvaluesgraduallyreplacedthoseheldinthedleAges.在文藝復(fù)興時(shí)期新的思想和價(jià)值觀逐漸取代了中世紀(jì)的思想和價(jià)值觀。Peop

6、lebegantoconcentratelessonreligiousthemesadoptamehumanisticattitudetolife.人們開始較少關(guān)注宗教主題而采取一種更人性化的生活態(tài)度。AtthesametimepaintersreturnedtoclassicalRomanGreekideasaboutart.同時(shí)畫家們回到了羅馬、希臘的古典藝術(shù)理念上。Theytriedtopaintpeoplenatureasthe

7、yreallywere.他們力爭(zhēng)如實(shí)地畫出人物和自然。Richpeoplewantedtopossesstheirownpaintingssotheycoulddecatetheirsuperbpalacesgreathouses.富人們想擁有自己的藝術(shù)品并用來裝飾自己的高級(jí)宮殿和豪宅Theypaidfamousartiststopaintpicturesofthemselvestheirhousespossessionsaswella

8、stheiractivitiesachievements.他們出價(jià)聘請(qǐng)著名藝術(shù)家來為自己畫像畫自己的房屋和其甚至還怒不可遏。Theysaidthatthepainterswerecarelesstheirpaintingswereridiculous.他們說這些畫家作畫時(shí)漫不經(jīng)心、粗枝大葉而他們的作品更是荒謬可笑。ModernArt(20thcenturytotoday)現(xiàn)代藝術(shù)(20世紀(jì)至今)Atthetimetheywerecrea

9、tedtheImpressionistpaintingswerecontroversialbuttodaytheyareacceptedasthebeginningofwhatwecall“modernart“.在印象派作品的創(chuàng)建初期它們是存在著爭(zhēng)議的但是如今己被人們接受而成為現(xiàn)在我們所說的“現(xiàn)代藝術(shù)”的始祖了。ThisisbecausetheImpressionistsencouragedartiststolookattheirenv

10、ironmentinnewways.這是因?yàn)橛∠笈晒膭?lì)畫家用一種嶄新的視角看待他們的環(huán)境。TherearescesofmodernartstylesbutwithouttheImpressionistsmanyofthesepaintingstylesmightnotexist.如今現(xiàn)代藝術(shù)風(fēng)格有好幾十種然而如果沒有印象派那么這許多不同的風(fēng)格就不可能存在。Ontheonehsomemodernartisabstractthatisthe

11、painterdoesnotattempttopaintobjectsasweseethemwithoureyesbutinsteadconcentratesoncertainqualitiesoftheobjectusingcolourlineshapetorepresentthem.一方面有些現(xiàn)代藝術(shù)是抽象的也就是說畫家并不打算把我們眼睛看到的東西如實(shí)地畫出來而是集中展現(xiàn)物體的某些品質(zhì)特性用色彩、線條和形狀把它們呈現(xiàn)出來。Onthe

12、otherhsomepaintingsofmodernartaresorealisticthattheylooklikephotographs.而另一方面有些現(xiàn)代派的藝術(shù)作品卻是那么寫實(shí)看上去就像是照片。Thesestylesaresodifferent.這些風(fēng)格如此不同。Whocanpredictwhatpaintingstylestherewillbeinthefuture誰能預(yù)言將來會(huì)有什么樣的繪畫藝術(shù)風(fēng)格2.選修六選修六Unit

13、1THEBESTOFMANHATTAN’SARTGALLERIES曼哈頓藝術(shù)畫廊薈萃曼哈頓藝術(shù)畫廊薈萃TheFrickCollection(5thAvenueE.70thStreet)弗里克收藏館(第5大道和第70街大道之間)ManyartloverswouldrathervisitthissmallartgallerythananyotherinNewYk.在紐約比起其他藝術(shù)館許多藝術(shù)愛好者都更樂意參觀這家小型藝術(shù)陳列館。HenryC

14、layFrickarichNewYkerdiedin1919leavinghishousefurnitureartcollectiontotheAmericanpeople.亨利克萊弗里克是紐約的一位富豪于1919年去世把他的房子、家具和藝術(shù)收藏品全部留給了美國(guó)人民。FrickhadapreferencefpretwentiethcenturyWesternpaintingsthesearewellrepresentedinthisex