濃妝素抹兩相宜——兩宋宮廷山水畫藝術(shù)風(fēng)格研究.pdf

1、河南大學(xué)碩士學(xué)位論文濃妝素抹兩相宜——兩宋宮廷山水畫藝術(shù)風(fēng)格研究姓名：范偉申請(qǐng)學(xué)位級(jí)別：碩士專業(yè)：美術(shù)學(xué)指導(dǎo)教師：馬嶺20060501Abstractuptonow，thetwo—SonglandscapepaintingisalwaysthehotsubjectfortheartisticresearchersAsonekindofstyleintheChinesedrawinghistoryTheRoyallandscapepain

2、tinghadreachedthesummitofitshistorywhenitdevelopeduptothetwoSongDynastyAtthesametime，theRoyallandscapepaintinghadalsoopenedanewpathforthehi吐lymatureChinesetraditionallandscape—paintingtogofurtherThemaincontentoftheessayi

3、sfocusedontheevolutionofthestyleofthetwoSongRoyallandscapepaintingFurthermore，thebackgroundoftheessayisbasedontheevolutionoftheartstyleofthepreSongDynastylandscapepaintingThecomparisonresearchofthetandscapepaintersandthe

4、irworksbetweenthetwoSongRoyalAcademiesistheintrinsicclueforwritingtheessayFurthermore，theessayanalyzesandcomparestheevolutionoftheartstylesintheaspectsofcalligraphicstyle，composition，modelingandetcbasedontheresearch，thee

5、ssayalsodigsoutthecausesandhistorymeaningsoftheevolutionandindicatesitsheavyinfluenceonthecontinuingdevelopmentofthelandscapepaintingFirstlytheresearchontheartstyleoftheworksistorisethedisplayingskillswhichinvolvealotofk

6、nowledgeoftheskilltheoryofthelandscapepainting，besidespayingattentiontotheworksitselfbecausethestudyingobjectslocatedinspecifichistoricalperiod，theartisticdevelopmentreceiveddifferentinfluencefrommanyfactorsinthatagesimu

7、ltaneouslybesidestheartisticownregularityevolution，thisinvolvedsomecertainhistoriccategoriesInthisarticleImainlyusedtheliteratureresearch，theanalysisinduction，contrastingandanalyzingandSOon，toconducttheresearch，inorderto