略論唐代“樂治”.pdf

1、首都師范大學(xué)碩士學(xué)位論文略論唐代“樂治”姓名：王冉申請(qǐng)學(xué)位級(jí)別：碩士專業(yè)：中國古代史指導(dǎo)教師：金瀅坤20080519AbstractThisarticleexploresthe“musicgovernanceoftheTangDynasty“meansthatthefeudalrulersoftheTangdynastyusemusicanddanceasameanstOachievethehierarchyofclassprivile

2、geandprinciples，concepts，institutions，organizationscollectivelytosafeguardtheinterestsofrulerswiththeConfucianethicsasthecolecontentItsincludemusicritual，movement，music0伍cials，suchastheapplicationofthemusic，restri曲omofth

3、emusic，andcutoffmusicthosespecificcon加lmeasures，andideologicalguidance“musicgovernance”aspartofthepolicyoftheTangdynastyrule。notonlyplayedaeducationalfimetion，butalsolinkedwiththepoliticalsituationcloselyThearticleinclud

4、esthefollowingfouraspectsFirstofall，theTangDynastymusicgovernanceconceptisthetheoreticalbasisof“Yueji“(《樂記》)TheTmgdynastyndersfocusedonthecombiningbetweenthemusicgovernanceideaandthepoliticalThisnotonlymadetheoriginalthe

5、oryhasbeentimberenrichedanddeveloped，butalsoachievedpositiveresultsonthepracticeofgovemingSecond，theTmgDynastymusicgovemancepoliciesasaformofpraaice，isastrategyofgoverningthecountry，toreconcileallwalksoflifetobecomeoneof

6、themeansofrelations，haveplayedaspecialroleThird，thesystemchangesintheTangDynasty，especiallyiIlmela土e7r鋤g功刪，reflectedthechangesinthepoliticalsituationintheTangdynastyandtheconsolidationofimperialpowerthroughvariousmeansFo

7、urth，withthedevelopmentoftheinstitutionsofmusicanddanceintheTangDynasty，musicianandmusicinstitutiombecomethetoolforpoliticalactivitiesoftheTangemperorsWenZongemperorusedXianShaomusiccourt(仙韶院)嬲atoolforitspoliticalrule，an

8、dthemusicianoftheXianShaocourt(仙韶院)hadinvolvedinnlc婦po硫cals缸u(yù)ggleThisarticlemainlyanalyzedmusicgovernancepracticeintheTangDynasty，imperialedictbased，analysisoftheTangDynastyrulersusevariousmeanstoconsolidatetheruleofstra