論四君子與繪畫(huà)品格的關(guān)系

1、論四君子與繪畫(huà)品格的關(guān)系 Abstracts Flower and-bird painting material is numerous, among them with the plum, orchid, bamboo, chrysanthemum is on behalf of the literati, character, called the four gentlemen. Plum in cold and in deep v

2、alleys, bamboo be noble-hearted wind, chrysanthemum in the autumn resists the frost, can these flowers and plants is the nature of the special corresponding advocated by scholars and moral character, is like a “gentleman

3、“, is regarded as a symbol of a gentleman, get the four of ancient writers, painters. Ancient Chinese literati for natural vegetation, insects, fish, birds and animals has a special hobby, literary works, the ancient 《T

4、he book of songs》,《The Songs of Chu》 is to use flowers and trees, birds and animals as a metaphor, analogy foil. Literature of the gentle, Fu, ratio, Xing the method makes literati in the eyes of flowers and trees to bir

5、ds with rich cultural meaning, reflected in the literati paintings of flowers and birds in the most obvious. The flower and bird paintings for literati liking symbolism, from the earliest China literary tradition. In 《th

6、e book of songs》of flowers and trees to birds than, Xing techniques enable straightforward meaning revealed, and symbolic meaning of 《The Songs of Chu》 more vaguely windingly, the “vanilla“ to the man of letters has char

7、m more attraction. To the performance of the gentleman of the wind, praise the gentleman of the “four gentlemen“ as a typical representative of the flower and bird painting. Looking at the development of the four gentlem

8、en, the art style of each era is different, because the art works of any era reflect the social life and aesthetic taste of the times. Put the work into the era of the background of the specific analysis, the reality of

9、a gentleman's painting represents the different times of quality, highlighting the different times of personality quality. Four gentleman's schema is the precipitation of national culture, and integrity noble cul

10、tural symbol. “Than the“ four gentlemen influenced with other subjects, namely, pay attention to the expression of poetic, and reveal the noble personality. Flower and-bird painting innovation will be on the basis of res

11、pect for tradition, abandoned traditional innovation is the root of wood, the source of this. Keywords： Four Gentlemen poetic and pictorial splendor quality of paintings 論四君子與繪畫(huà)品格的關(guān)系 一、緒論 緒論 宋代在道家“玄“、 ”素”的思想影響下，使文人

12、畫(huà)家推崇水墨的表現(xiàn)形式，以水墨的素雅替代了色彩的絢麗， 墨花墨禽受到士大夫文人畫(huà)家的青睞， 成為視覺(jué)欣賞的主流。梅、蘭、竹、菊在經(jīng)歷宋元明清幾代，逐漸成為寫(xiě)意花鳥(niǎo)畫(huà)具有代表性的題材，文人、畫(huà)家不僅以詩(shī)文詠之，亦以筆墨繪之，大量歌頌四君子品質(zhì)的詩(shī)文與寓情寓景的四君子水墨畫(huà)，共同構(gòu)建了花鳥(niǎo)畫(huà)的藝術(shù)特色。 1.1 選題意義 在選擇題材方面，應(yīng)重視作品的主題，主題思想是主導(dǎo)藝術(shù)作品的靈魂。針對(duì)目前普遍存在的“為畫(huà)而畫(huà)”，畫(huà)面缺少思想內(nèi)涵的形式，

13、提出以詩(shī)意的豐富內(nèi)涵帶動(dòng)繪畫(huà)的深層涵義與意境。對(duì)增加作品深層次的思想內(nèi)涵具有幫助作用。二是增強(qiáng)畫(huà)家全面修養(yǎng)， 修養(yǎng)是決定人品形成與人格高低的主要方面， 高修養(yǎng)必是有高人品，而較高的人品是能夠創(chuàng)作出具有高格調(diào)的優(yōu)秀藝術(shù)作品的基礎(chǔ)。 三是重新審視傳統(tǒng)文化中彰顯的人格精神， 挖掘作品中的畫(huà)家極力表現(xiàn)的自我人品、人格，以及其人品、人格形成的多方面原因，對(duì)傳統(tǒng)人文精神的探討研究，是構(gòu)建當(dāng)下國(guó)民素質(zhì)，提高人文素養(yǎng)方面的啟示。 1.2 研究現(xiàn)狀 中國(guó)

14、畫(huà)論基本以山水畫(huà)論為主，花鳥(niǎo)畫(huà)論相對(duì)較少，對(duì)于寄情山水的中國(guó)文人，在花鳥(niǎo)畫(huà)中抒發(fā)情感，以書(shū)寫(xiě)性的筆墨暢情達(dá)意，寄托志向，托物言志。以比德方式，用花鳥(niǎo)的品質(zhì)比喻君子的品德。中國(guó)畫(huà)各題材的發(fā)展，早期以人物為主， 宋代山水畫(huà)全面發(fā)展， 至明清， 花鳥(niǎo)畫(huà)作品的繁盛開(kāi)始占據(jù)中國(guó)畫(huà)的主體。大量出現(xiàn)的花鳥(niǎo)畫(huà)， 即充分顯示更多畫(huà)家借花鳥(niǎo)抒情達(dá)意， 也說(shuō)明花鳥(niǎo)畫(huà)廣泛普及到尋常百姓生活中。將詩(shī)意與畫(huà)品聯(lián)系起來(lái)觀察花鳥(niǎo)畫(huà)，評(píng)價(jià)花鳥(niǎo)畫(huà)的，歷史的看待君子畫(huà)的形成