通過(guò)動(dòng)畫(huà)短片一個(gè)人的表演來(lái)看水彩效果在三維動(dòng)畫(huà)背景中的實(shí)際應(yīng)用

1、編 號(hào)： 碩士學(xué)位論文 碩士學(xué)位論文 題 目：通過(guò)動(dòng)畫(huà)短片《一個(gè)人的表演》來(lái)看水彩效果 在三維動(dòng)畫(huà)背景中的實(shí)際應(yīng)用 培 養(yǎng) 單 位：美術(shù)與設(shè)計(jì)學(xué)院 專 業(yè) 名 稱：美術(shù) 指 導(dǎo) 教 師：姜振文 研 究 生：于濤 完 成 時(shí) 間：2012 年 2 月 1 日 沈陽(yáng)師范大學(xué)研究生處制類 別 全日制研究生 √ 教育碩士 同等學(xué)力 II The Application of Watercolor in

2、 3d Animation Abstract My thesis include in background character and composition etc. There are some similar point in paint and animation. The difference is main part. In watercolor painting, the general picture will be

3、main body, will use always mix and the use of such factors as the brush to highlight the main body part and weaken the background and foil parts. But in the animation of the background of the draw, don't need this k

4、ind of primary and secondary relations and the actual situation relations in, all this work was in the computer in the lens camera to realize. The watercolor animation through pure the role in the computer, three dimen

5、sional simulation 2 d production mode. It is mainly study the realization of watercolor effect, so the production and skeletal model set and the division of UV etc in here don't do explain, but these part to adjust t

6、he can for the detailed the effect to provide necessary guarantee. Since the application to watercolor animation, the synthesis has become the key to that of a component. The film can be natural excessive, foreground an

7、d background can achieve good level depends on the relationship of synthesis of master. 3 d synthesis actually is not a necessary process is only a skill, the synthesis is often used in part to hand in the background of

8、the activities, that is the background is not only simple animation as a background, and ACTS as a scene. Role may on this piece of stone of the background to sit down, and may climb a tree in the background, and so on.

9、 The equivalent of a picture as a three dimensional scene to use. In this case, of the most likely is the problem. The characters are to meet the scene in the perspective of the character directly related to whether the

10、 real based on the scene, so in this part of the problem is the key to solve the three dimensional synthesis parts. And in this film I use the following method to realize 3 d and 2 d synthesis of accurate positioning and

11、 perspective. Output is crucial step, how to choose a good music and how to give the film with a good titles out is this part of the key. One of the most important features of watercolor is water mark, before in the pr

12、oduction, can be in the water on the paper to make a number of test, can be as long as black and white effect, color component in photoshop adjust the will have larger space and flexibility. The satisfaction of the wate