紅色狂想曲：西方古典音樂(lè)在中國(guó)及其深度書(shū)評(píng)

1、西安音樂(lè)學(xué)院碩士學(xué)位論文《紅色狂想曲：西方古典音樂(lè)在中國(guó)》及其深度書(shū)評(píng)姓名：湯娜申請(qǐng)學(xué)位級(jí)別：碩士專(zhuān)業(yè)：中國(guó)近現(xiàn)代音樂(lè)史指導(dǎo)教師：夏滟洲2011-05-28西安音樂(lè)學(xué)院碩士論文 Abstract IIAbstract Abstract The book Rhapsody in Red: How Western Classical Music

2、 Became Chinese is co-written by Sheila Melvin, an American and her husband, a Chinese-American conductor Cai Jindong.In“Rhapsody in Red,“ there are two focuses : western orchestra and professional development of mus

3、ic education in China. Basing on Matteo Ricci, Xiao youmei, Tan Shuzhen , Li Delun etc. and their great contributions to the development of Western classical music in China, and some influential events in the process,

4、 the author traces the major clues back to its very introduction into China from the late Ming, through the late Qing Dynasty, the early Nationalist China, and World War II to New China, Cultural Revolution, and reform

5、 and opening covering more than 400 years. The differences in ideology, way of thinking, positions and academic background between foreign and Chinese scholars lead to the their different narration and analysis of such

6、 major issues as the musicians and events. “Rhapsody in Red,“ causes some concern in the West after its publication in 2004 in New York, yet there is so far no Chinese translation version. My thesis is based on the trans

7、lation and interpretation of this book in the hope of benefiting the research of the history of modern Chinese music. Key words Key words Modern Chinese music history, overseas Chinese Music Research, Music writing, “R