接受美學(xué)視角下好萊塢電影預(yù)告片中宣傳語的漢譯

1、合肥工業(yè)大學(xué)碩士學(xué)位論文接受美學(xué)視角下好萊塢電影預(yù)告片中宣傳語的漢譯姓名：孟莉申請(qǐng)學(xué)位級(jí)別：碩士專業(yè)：英語語言文學(xué)指導(dǎo)教師：趙速梅2011-04iiAbstract As a significant breakthrough and an important complement to the traditional theoretical studies of translation, Reception Aesthetics, or

2、iginated by the German scholars Jauss and Iser, has undoubtedly opened up a new path to study the translation of taglines in the Hollywood Movie Trailer （HMT） . In the past, many of the translation theories focused on au

3、thor or text, taking readers' reception into less consideration, let alone choosing different strategies in the light of readers' reception during the translation process. The application of Reception Theory has

4、drawn researchers' attention to receptive processes of translator and target text readers, and realized the transformation from simply focusing on the translation to focusing on readers simultaneously. The translatio

5、n of taglines in the HMT aims at making the TL(target language) audience accept the meaning conveyed by taglines in the ST(source text), get the similar aesthetic experience with SL(source language) audience and finally

6、buy film tickets. It is in accordance with “reader-centered“ ideas of Reception Theory. Thus, Reception Aesthetics is the feasible and appropriate theory to guide the translation of taglines in the HMT. Ideas such as “ho

7、rizon of expectation“ and “fusion of horizons“ in Reception theory are particularly crucial in guiding the translation of such taglines. According to brief research and exposition on Reception Theory, this thesis will e

8、xplore the practical application of the theory, analyse the significance of applying Reception Aesthetics to translation of taglines in the HMT and the gist of Reception Theory which is used in solving problems appear in

9、 translation. The major contents of the thesis are as follows： Firstly, this thesis has analysed the translation process of translating HMT-taglines from the perspective of Reception Aesthetics to prove that translation

10、is no longer translator's unilateral act, but a complex activity which carries out among author, translator and reader (audience), as well as discussed the five forms of receptive aesthetic activities in translating