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1、中南民族大學(xué)碩士學(xué)位論文思與詩的和合--司空圖《二十四詩品》之一解姓名:孫雪麗申請學(xué)位級別:碩士專業(yè):文藝學(xué)指導(dǎo)教師:胡家祥2011-05思與詩的合一——司空圖《二十四詩品》的再闡釋 IIAbstract Researches on Twenty-four Poetic Styles are numerous in the past, the main concern of which also varied when research
2、ers held different opinions on its theme. Some point out that it is all about styles, and some about artistic conception, or creation. These are reasonable concept by themselves, but not comprehensive enough in general.
3、The thesis attempts to analyze Twenty-four Poetic Styles specifically in combination with contemporary theories in Literature and Art. Styles, the outer layer of works, are in accordance with the innate character. Artis
4、tic conception is the state of feeling and setting blended as well as identity of object and self. Both are ways for vividness because of the freedom for author in semiotic world and life respectively. However, it is not
5、 easy for author to seize the form in semiotic world, which can often be completed by some mode from our life. Therefore, Twenty-four Poetic Styles is a work not only about styles but also about artistic conception, whic
6、h expressed various styles with the description of artistic conception. Secondly, Twenty-four Poetic Styles adopted specific mode of expression. It is consisted of twenty-four poems with the characteristics of specific s
7、entence pattern and proper rhythm. Apart from this, metaphor and analogy are also used extensively. These characteristics succeeded in discussing basic problems of literary theory in a poetic form, and the reason for whi
8、ch is probably resulted by the influence of different factors such as mode of production in Chinese ancient time, social environment and cultural atmosphere at that time. Lastly, this thesis tries to show that Si Kongtu
9、has illustrated theories of styles and artistic conception which are involved in Literature and Art in a reasonable and proper way. The theme he wants to convey reaches an agreement with the mode of expression. According
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