基于格式塔意象再造的理論探討中國(guó)古詩(shī)英譯中意境的再現(xiàn)

1、西北師范大學(xué)碩士學(xué)位論文基于格式塔意象再造的理論探討中國(guó)古詩(shī)英譯中意境的再現(xiàn)姓名：李雪萍申請(qǐng)學(xué)位級(jí)別：碩士專業(yè)：英語(yǔ)語(yǔ)言文學(xué)指導(dǎo)教師：趙登明2009-06ii Abstract This paper deals with a tentative study of English transfer of ideorealm in classical Chinese poetry on the basis of the theory of

2、image-G actualization. The purpose is to test the usability of the theory to the studies of ideorealm reproduction, and fill in a gap in the previous studies in this field. The theory of image-G actualization is proposed

3、 by Professor Jiang Qiuxia in her book Aesthetic Progression in Literary Translation: Image-G Actualization. The main points include: (1) image-gestalt is an image in the gestalt sense, which is a universal property exis

4、ting in a 1iterary text; (2) literary translation involves a process of aesthetic image-G actualization; (3) the internal structure of any image-G is a kind of scenes-and-frames integration; (4) aesthetically, successful

5、 literary translation resides in successful image-G actualization; {5) an image-based literary translation model is as such: Phase I: source text comprehension --- a mental actualization of image-G; Phase II: target text

6、 creation --- a verbal actualization of image-G. The reproduction of ideorealm in the translation of classical Chinese poetry is a very significant yet rather difficult subject to be explored. The difficulties mainly ari

7、se from the complexity of the connotations of ideorealm. Therefore, the present thesis firstly makes a tentative exploration into the concept of ideorealm, and points out that ideorealm consists in the totality of the ar

8、tistic imagery characterized by a fusion of feelings with scenes plus the imagined images it triggers. The essence of ideorealm creation lies not simply in a fusion of feelings with scenes, but more in creating “images b

9、eyond images”, which can provide readers with a vast imaginary sphere. Therefore, ideorealm is actually completed by both the author and the reader. The reader’s subjectivity is fully manifested in the process of ideorea

10、lm creation. And then, after an analysis of the affinity between image-G and ideorealm from the aspects of structure and aesthetic constitutes, the present thesis points out that the theory of image-G actualization, as a

11、 theory of literary translation, is supposed to be useful to ideorealm reproduction. Thirdly, based on the model of image-G actualization proposed by Professor Jiang Qiuxia, the author of this thesis tentatively proposes

12、 a model of ideorealm reproduction as to provide some guidence for this abstract concept. Fourthly, the present thesis makes a detailed analysis about subjective creativity of the translator-reader in the process of ideo