建筑學(xué)外文翻譯

1、<p><b>　　沈陽(yáng)工業(yè)大學(xué)</b></p><p><b>　　本科生外文翻譯</b></p><p>　　中文書名： 泛光燈文化建筑</p><p>　　外文書名：Omni Culture</p><p>　　學(xué) 院： 建筑工程學(xué)院 </p><

2、;p>　　專業(yè)班級(jí)： 建筑學(xué)0702 </p><p>　　學(xué)生姓名： 侯文鋒 </p><p>　　指導(dǎo)教師： 徐博 </p><p>　　2011年 04月15日</p><p><b>　　外文翻譯原文</b></p><

3、p>　　Opera House,OLSO</p><p>　　Snohetta/kjetil traedal thorsen,craig dykers</p><p>　　The Opera House, which is the largest cultural building to be raised in Norway since Nidarosdomen, shall be

4、 an important symbol of what modern Norway represents as a nation, and express the role opera and ballet shall have in society.</p><p>　　The construction of the new Opera House is the largest single culture-

5、political initative in contemporary Norway. The base area of the Opera House is the same as the total area covered by four international standard football fields. The building has 1,100 rooms grouped in a number of secti

6、ons.</p><p>　　Front of Opera House</p><p>　　The public areas are located in the building`s western section, with access from the area nearby the city`s central train station. These include the m

7、ain foyer, a large performance auditorium with 1,350 seats and a small auditorium with 400seats.The large auditorium is designed in `classical` from with a horseshoe type plan and a high ceiling height, providing natural

8、 acoustics and good sight lines to the stage. In addition to the main stage there is also an under stage complete with elevator, s</p><p>　　Rear of Opera House</p><p>　　These are the production

9、areas of the building. Here one can find all the workshops, storage areas, rehearsal rooms, changing rooms, offices, and every facility necessary to produce an opera or ballet. Here the building has 4 floors and a baseme

10、nt. The production areas are flexible and robust, able to accept changes over time. The architecture and the use of materials are functionally appropriate, the exterior façade is composed of metal panels.</p>

11、<p>　　Roof garden</p><p>　　The roofscape describes the building`s monumental character. The horizontal and sloping plane of the roof provides the opera with an unusually dramatic expression, quite diff

12、erent from the surrounding buildings Its openness and accessibility will allow for a wide range of visitors to traverse its many terraces. The roofscape will be open to the public, it`s clad in white stone, and it`s deta

13、ils will provide a holistic and symbolic character to the building while also allowing for a variety of ex</p><p>　　Valencia Opera House</p><p>　　Santiago Calatrava S.A. / Santiago Calatrava<

14、/p><p>　　The people of Valencia have traditionally shared a deep love of music. The region is sometimes known as the `Land of 1,000 Bands` since every village and town has its musical association. In fact Volen

15、cia, called the `City of Music`, has two, which are respected throughout the world. The project of creating the Valencia Opera House is therefore highly significant-because of the role that music plays in the life of the

16、 region, and because of the role that the building plays in the physical evolut</p><p>　　The Valencia Opera House was the first major element in the City of Arts and Sciences, and when it is completed, in 20

17、06, it will be the last. It was the first, because my involvement with this great development began in 1991, when I won a competition to design a structure where the Opera House now stands. It will be the last, because t

18、he original commission was not for a cultural building but for a telecommunications tower. It was in 1996 that the Valencian government altered the programfor the</p><p>　　So the plan for the entire sequence

19、 of buildings, strung from west to east along the dry bed of the Turia River, began from this one site and has returned to it. The Planetrarium / IMAX Therater (Hemispheric Theater) was completed in 1996 ; the Principe F

20、elipe Science Museum in 2000. Now, in 2006, we come back to the westernmost part of the project area, to celebrate the first concert in the Valencia Opera House.</p><p>　　Looking back, I feel as if the deepe

21、r meaning of the Valencia Opera House may be bound up with this project history, with its themes of trans-formation and recurrence. As a grand urban intervention, intened to link two areas that had been separated geograp

22、hically, socially and economically, the City of Arts and Sciences both changes Valencia and returns it to a condition of wholeness. The means we have used -engineering and construction- have been technical, as symbolized

23、 perhaps by the telecomm</p><p>　　As a native of Valencia, who was formed by this city and who is attached to it deeply, I feel both proud and humble to have played a role in this process of change and reuni

24、on. It is very moving to me that this story should culminate as it does, not with a burst of microwaves being emitted from a tower, but with our citizens gathering together in a new puclic space, to be surrounded with th

25、e music they love.</p><p><b>　　漢語(yǔ)譯文</b></p><p><b>　　奧斯陸歌劇院,</b></p><p>　　斯諾赫塔事務(wù)所 /  謝蒂爾.索森, 克雷格戴克斯</p><p>　　奧斯陸歌劇院,這是挪威的最大的文化建筑,是作為挪威國(guó)家的現(xiàn)代化

26、的一個(gè)重要標(biāo)志和代表,展現(xiàn)了歌劇和芭蕾舞對(duì)社會(huì)的作用。</p><p>　　新歌劇院是當(dāng)代最大的單體文化和政治中心的挪威建筑首創(chuàng)。歌劇院的基地與建筑形體是一樣的,總占地面積涵蓋四個(gè)國(guó)際標(biāo)準(zhǔn)的足球場(chǎng)。這個(gè)建筑物有著1100個(gè)房間。</p><p><b>　　歌劇院的前面</b></p><p>　　公共區(qū)域坐落在建筑的西面部分,可使用來(lái)自該市中

27、央火車站附近的區(qū)域。這些包括大門廳,一個(gè)大型的可容納1,350座的大觀眾廳與400座的一個(gè)小觀眾廳。大觀眾廳是設(shè)計(jì)的經(jīng)典形式“用一個(gè)馬蹄鐵形制的平面和高高的天花板的高度,提供給舞臺(tái)自然的音響效果和良好的視線。除了大舞臺(tái)之外也有一個(gè)小舞臺(tái)、一個(gè)邊上小舞臺(tái)、背面的舞臺(tái)、背面邊角的舞臺(tái)和地下舞臺(tái),用作一個(gè)可以進(jìn)入樂(lè)隊(duì)排練室的公共區(qū)域。小觀眾廳的靈活性相當(dāng)大,不僅為舞臺(tái)作準(zhǔn)備,而且也為休息室和音響部門等服務(wù)。門廳是一個(gè)宏偉的、開(kāi)放的有大量照明并

28、且可以看到周圍環(huán)境的空間。這個(gè)空間的特點(diǎn)是材料的簡(jiǎn)單應(yīng)用和極微小的細(xì)節(jié)處理。用一個(gè)高大起伏的墻壁使門廳和會(huì)議室相分離。讓人們?cè)诂F(xiàn)實(shí)與虛幻之間游離。此外，門廳里包含休息區(qū)域,衣帽間、咖啡廳、酒吧和餐館。</p><p><b>　　歌劇院的后面 </b></p><p>　　這些都是建筑的生產(chǎn)區(qū)域。在這里可以找到所有的車間、儲(chǔ)存區(qū)、排練室、更衣室、辦公室、以及各種制作修

29、復(fù)歌劇或芭蕾舞劇道具的房間。在這里,這棟建筑有4層,有一個(gè)地下室。生產(chǎn)區(qū)域的是富有靈活性和粗野性,能禁受時(shí)間的考驗(yàn)。結(jié)構(gòu)設(shè)計(jì)和材料使用在功能上相適應(yīng),外觀立面采用的是金屬板。</p><p><b>　　屋頂花園</b></p><p>　　屋頂花園展示了建筑的非凡性格。平直和傾斜的屋頂提供給觀眾一個(gè)廣泛的游覽場(chǎng)所，同時(shí)提供了歌劇戲劇性的表現(xiàn)力，在劇院公共性和對(duì)周邊建

30、筑物的影響性來(lái)說(shuō)，這一點(diǎn)是很不尋常的,也是截然不同的。這個(gè)屋頂花園將對(duì)公眾開(kāi)放,它的外表是白色理石鋪成的,它的細(xì)節(jié)在提供給建筑一個(gè)整體的、字符性的象征的同時(shí),也是各種經(jīng)驗(yàn)之作的一次飛躍。 </p><p><b>　　瓦倫西亞歌劇院</b></p><p>　　圣地亞哥·卡拉特拉瓦,S.A./圣地亞哥·卡拉特拉瓦</p><p&

31、gt;　　傳統(tǒng)上來(lái)說(shuō)瓦倫西亞人對(duì)音樂(lè)的有著深深的熱愛(ài)。該地區(qū)有時(shí)以“擁有1000個(gè)樂(lè)隊(duì)的土地”而著稱,因?yàn)槊恳粋€(gè)村莊和城鎮(zhèn)都有其音樂(lè)協(xié)會(huì)。事實(shí)上瓦倫西亞這座城市,被稱為“音樂(lè)之城”,兩個(gè)稱號(hào),都受到世界各地人的尊敬。瓦倫西亞歌劇院的建設(shè)是具有高度象征性的因?yàn)橐魳?lè)戲劇在生活中扮演著極其重要的角色,同時(shí)也因?yàn)榻ㄖ诔鞘行螒B(tài)的演變過(guò)程中扮演了重要的角色。</p><p>　　瓦倫西亞歌劇院是城市藝術(shù)與科學(xué)的首要元素,

32、在2006年建成后,它將會(huì)是最后一個(gè)。這是我自1991年開(kāi)始專研發(fā)明這種偉大的發(fā)展型建筑至今，贏得設(shè)計(jì)競(jìng)賽并付諸實(shí)現(xiàn)的第一個(gè)項(xiàng)目。同時(shí)它也將會(huì)是最后一個(gè),因?yàn)樵瘑T會(huì)并不想建設(shè)文化建筑,而是想建設(shè)電信塔。1996年的瓦倫西亞的政府改變了之前的申請(qǐng)，轉(zhuǎn)變?yōu)榻ㄔO(shè)藝術(shù)和科學(xué)城市的提議。 這是多么神奇的一個(gè)轉(zhuǎn)變,在這個(gè)時(shí)刻建設(shè)電信塔的計(jì)劃被改成了一個(gè)歌劇院的提議。</p><p>　　就這樣一個(gè)由IMAX設(shè)計(jì)的將會(huì)改變周

33、圍環(huán)境的建筑物,在1996建成，它開(kāi)始從西向東沿著圖利亞河流干涸的河床恢復(fù)環(huán)境的全貌。劇場(chǎng)在2000年歸于普林西比馬薩科學(xué)博物館。2006年的今天,我們又回到了這里參加文化建筑的第一場(chǎng)演唱會(huì),慶祝瓦倫西亞歌劇院。</p><p>　　回想一下,我覺(jué)得好像瓦倫西亞歌劇院在深層意義上講，隨著它的主題的解析和復(fù)發(fā)，可能產(chǎn)生這個(gè)項(xiàng)目自身的歷史。大型都市的介入,將從地理位置上將隔離開(kāi)的兩個(gè)區(qū)域連接到一起,它將在經(jīng)濟(jì)和社會(huì)角

34、度上說(shuō),它將瓦倫西亞城市的藝術(shù)與科學(xué)都返還給整體。我們已經(jīng)擁有學(xué)習(xí)工程學(xué)的方法和施工技術(shù),或許會(huì)用來(lái)建設(shè)電信樓上。但我們到達(dá)的地點(diǎn)是藝術(shù)的殿堂:歌劇院</p><p>　　作為一個(gè)土生土長(zhǎng)的瓦倫西亞人, 無(wú)論是被城市標(biāo)記的，還是被她深深的吸引的,我都感到驕傲和謙卑的扮演了一個(gè)正在變得圓滿的角色。對(duì)我來(lái)說(shuō)這是非常動(dòng)人的故事,它應(yīng)該達(dá)到頂點(diǎn),因?yàn)樗⒉皇请娦潘梦⒉ǖ姆绞缴l(fā)出來(lái)的信息,而是用我們的公民們細(xì)想聚集成的