[雙語翻譯]建筑學專業(yè)外文翻譯—建筑環(huán)境色彩選擇策略（原文）

1、Journal of the International Colour Association (2017): 19, 15-22 Zennaro 15 http://www.aic-colour.org/journal.htm | http://www.aic-color.org/journal.htm ISSN 2227-1309 Strategies in colour choice for architectural

2、built environment Pietro Zennaro Department of Design and Planning in Complex Environments, University Iuav of Venice, Italy Email: pietro.zennaro@iuav.it In the realisation of a colour design, or of a colour plan, every

3、 designer should have the availability of a set of basic tools to prevent him or her from performing prejudicial operations in the territory, in the landscape, in the city, in the neighbourhood, and in the individual b

4、uilding. The same designer should then know some rules in the colour choice that will enhance the built environment. The approach to colour selection depends on many factors, for example the building size and function,

5、 the combination of spaces, the urban form, the dimensions of streets, alleys, plazas, squares and so on, but especially the specificity of the place. By this we mean the history, traditions, culture, geographical loca

6、tion, the qualities and weaknesses, the range of possible design/conservation options and all those characteristics that distinguish one place from another. So it should be clear to the designer who faces a chromatic

7、project, that he or she primarily needs a dedicated strategy, different from case to case, specific to each place. The diversity of the places establishes the richness of traditions and customs that should be preserved

8、 and/or possibly updated. Received 10 April 2017; revised 31 July 2017; accepted 1 August 2017 Published online: 29 September 2017 Introduction “Starting the study of perception, we find in the language the concept of se

9、nsation, which seems immediate and clear: I have the sensation of red, blue, hot, cold. [1]” Journal of the International Colour Association (2017): 19, 15-22 Zennaro 17 http://www.aic-colour.org/journal.htm | http:

10、//www.aic-color.org/journal.htm ISSN 2227-1309 houses or industrial areas. The focus on the improvement of such places through the appropriate use of colour is determined by the need for upgrading the man-land, and by p

11、utting in place suitable low-impact factors. Discussion In the perception of our surroundings, the colours are seen differently depending on weather conditions, seasonal, direct or indirect radiation, by reflection, by s

12、ource of natural or artificial lighting and in many other aspects. The perception of the surroundings takes place in terms of synaesthesia, involving all the senses of the observer. Analysing the behaviour of colour and

13、light in built places, there is no more emblematic experience than the evaluation on site or by pictures of what happens in a common sunny day. For convenience we have taken a Venetian example, where the presence of wate

14、r and the density of the built façades more easily shows the interaction of light with the facing fronts. The presence of water, also, increasing the mirror effect of the canal that is less evident in common roads,

15、shows better the transfer of a colour from an illuminated wall to the opposite one in shadow. Figure 1: Rio del Magazen: Fondamenta Minotto (left) and Fondamenta Gaffaro (right). The colours are reflected between the wa

16、lls and the water (© P Zennaro). In the scene of Figure 1, the left front is less exposed to bad weather than the right one. Since the colours painted on the walls are based on lime they have the tendency to wash ou

17、t easily. In fact, the opposite façade at right is completely washed out and then shows a grey plaster. The sun, beating on the walls of Fondamenta Minotto (left), affords a transfer of the yellow colour by reflecti

18、on over the water surface of the Rio Magazen to the shadowed opposite walls. Then a double phenomenon occurs, the specular reflection from the coloured wall to the water and its transfer onto the grey wall is added to th