南宋佛教人物畫(huà)研究.pdf

1、河北大學(xué)碩士學(xué)位論文南宋佛教人物畫(huà)研究姓名：張瑞申請(qǐng)學(xué)位級(jí)別：碩士專(zhuān)業(yè)：美術(shù)學(xué)指導(dǎo)教師：黃耿卓201106AbstractIIAbstractSinceBuddhismspreadtoChinaduringtheEasternHanDynastyBuddhistarthasdevelopedintoagrschoolofartinChinesehisty.AsBuddhismprosperedBuddhistfigurepainting

2、alsoemergedgraduallymatured.FromtheWeiJinNanBeidynastiestotheTangDynastyBuddhistfigurepaintingcodevelopedwithlocalpaintinglearnedfromeachothergraduallyfmedauniqueschoolofartwithChineseacteristicswhichisbestrepresentedbyf

3、ourgreatmastersCaoZhangWuZhouknownasthe“FourModelStyles“.IntheSongDynastiesespeciallytheSouthernSongDynastyBuddhistfigurepaintingenteredintoanewera.Theartistsbegantogivemelifeartisticconceptiontothefigurestheypaintedende

4、avedtobreakthroughrestrictionsembracenaturalnessincreationsthususheringinthefreehbrushwkfBuddhistfigurepainting.Thefmationofthisschoolofarthadthreereasons:onewastheimpactinfluencebythethoughtsofBuddhistChanZongthesecondw

5、astheaestheticinclinationfsecularizationthethirdwastheinnovationsinartisticconcepts.Asshownintheartwksthethemesofthepaintingsbecamemeclosetodailylifeexpressedmewishesdesiresofthewldlypeopleinexpressiontendedtobemepantosc

6、opicmefreeinbrushwk.TheartistsmergeChanintopaintingembodiedboundlessmeaningtothefreenessinbrushtouches.Astimewentbyrealisticpaintingfreehpaintinggraduallycameintoshape.DuringtheSongDynastiesthepopularityoffreehcalligraph

7、yalsogavemuchimpactuponthepainterswhobroughtsuchfreehintotheirpaintwkspursuedaftertheintegrationofpaintingcalligraphichwritingeventookitasapriitytomergecalligraphyChanpaintingintothewks.Thuswasthehisticbackgroundfthedeve

8、lopmentoftheBuddhistfigurepaintingintheSouthernSongDynasty.thefreehstyleoftheSouthernSongDynastyBuddhistfigurepaintingalsoexercisedgreatinfluencesoverallpaintingsinthefollowingages.TheSouthernSongDynastyBuddhistfigurepai