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1、中文摘要中文摘要隨著信息時(shí)代的發(fā)展,文化多元化趨勢(shì)目益增強(qiáng),各種語(yǔ)言變體不斷出現(xiàn),話語(yǔ)不再是以會(huì)話或語(yǔ)言文本為研究對(duì)象的傳統(tǒng)的語(yǔ)篇模式的體現(xiàn),而是以圖畫、聲音、動(dòng)畫、圖表、顏色、多樣編排等多種模式同時(shí)出現(xiàn)的多模態(tài)語(yǔ)篇。網(wǎng)絡(luò)英語(yǔ)教學(xué)順應(yīng)時(shí)代的要求而產(chǎn)生,它是利用豐富的網(wǎng)上資源和網(wǎng)絡(luò)技術(shù)多模態(tài)的教與學(xué)的方法,從而有效培養(yǎng)學(xué)生多元讀寫能力和語(yǔ)言的應(yīng)用能力。多模態(tài)話語(yǔ)分析理論為教育研究者提供了一套同時(shí)分析網(wǎng)絡(luò)教學(xué)圖像、音樂(lè)和字相互兼容的方法。到
2、目前為止,多模態(tài)語(yǔ)篇分析與教學(xué)語(yǔ)篇的結(jié)合還處于起步階段,其中以對(duì)靜態(tài)圖像的研究最為豐富,而對(duì)于動(dòng)態(tài)圖像的研究則側(cè)重于電影語(yǔ)篇。因此本文選取了動(dòng)態(tài)的網(wǎng)絡(luò)英語(yǔ)教學(xué)篇作為研究對(duì)象,采取社會(huì)符號(hào)學(xué)的視角,先從韓禮德的系統(tǒng)功能語(yǔ)言學(xué)以及融ess和vanLeeuwen的“視覺(jué)語(yǔ)法”為理論依托,從不同的課程類型中截取靜態(tài)鏡頭,對(duì)多模態(tài)網(wǎng)絡(luò)英語(yǔ)教學(xué)進(jìn)行可行性分析;接著依照KayLO’Halloran的動(dòng)態(tài)電影語(yǔ)篇切分方法,以鏡頭為基本的分析單位,結(jié)合B
3、aldry&Thibault的動(dòng)態(tài)廣告語(yǔ)篇的多模態(tài)分析理論框架,在功能語(yǔ)法和視覺(jué)語(yǔ)法的理論基礎(chǔ)上,嘗試建立一個(gè)適用于對(duì)典型網(wǎng)絡(luò)英語(yǔ)教學(xué)語(yǔ)篇進(jìn)行多模態(tài)話語(yǔ)分析的綜合框架,以《走向未來(lái)》網(wǎng)絡(luò)英語(yǔ)課堂為例,分析不同模態(tài)的“元功能”在網(wǎng)絡(luò)英語(yǔ)教學(xué)的動(dòng)態(tài)鏡頭(shot)中的靜態(tài)定格(脅me)的體現(xiàn),得出在不同的英語(yǔ)網(wǎng)絡(luò)課堂的語(yǔ)境中,應(yīng)該適當(dāng)運(yùn)用表達(dá)不同意義潛式的模態(tài)變量實(shí)現(xiàn)教學(xué)目的,從而為多元識(shí)讀的“教”與“學(xué)”提供理論和現(xiàn)實(shí)依據(jù)。在理論層面此研
4、究不僅拓寬了多模態(tài)話語(yǔ)分析的領(lǐng)域,驗(yàn)證了系統(tǒng)功能語(yǔ)言學(xué)理論對(duì)分析帶有圖像、聲音的動(dòng)態(tài)的多模態(tài)網(wǎng)絡(luò)教學(xué)語(yǔ)篇的可行性和可操作性,而且對(duì)提高人們多模態(tài)話語(yǔ)識(shí)讀能力提供一個(gè)新的視角并且對(duì)提高教育者的教學(xué)水平和學(xué)生的綜合素質(zhì)具有重要的學(xué)術(shù)和現(xiàn)實(shí)意義。關(guān)鍵詞:多模態(tài)話語(yǔ)分析;網(wǎng)絡(luò)英語(yǔ)教學(xué);視覺(jué)語(yǔ)法;元功能AbstractAbstractWiththerapiddeVelopmentoftheinfoⅡnationalageandtheincreas
5、ingtendencyofculturaldiVersi吼1anguageVarietieseme疆edcontinuouslyLallguagestudywillnotmainlyshowthetraditionalcommunicationorthe1anguagetextanymore,butitw訂1studyontllemultimodaldiscourseincludingimages,color,sound,dynamic
6、images,dia鏟amsandtleymjxedtogetherNetworkEnglishteachingh印penedconfo如1ingtotherequeStoftheinfonllationalage】tisanewteachingand1eamillgmethodtomakeuseofthene鉚orkresourcesandtechnologyThisapproachcane矗’ectiVelyimproVestude
7、nts’multiliteraciesandt11eircompetenceofusingthelanguage‘rhetheoryofmultimodaldiscourSeanalysiscallprovidetheeducatorwithcompatiblewaytoanalyzetheimages,musicandwordsofne帆orkteachingSof弛meresearchonthemultimodalanalysiso
8、nnetworkteachingisstillatitsstartingstage,becausemoststudiesaureonstaticimages,whileotherdynamicimagesstudiesareonthefilmdiscourseAfterconsideration,thispaperchoosesdyn鋤icEnglishteachingdiscourSeaSmeanalyzingobjectsFromt
9、11eperSpectiVeofsocialsemiotics,derived矗omHalliday’sSyStemicfunctionallinguistics,K0ess&vanLeeuwen’s(1996,2006)“ⅥsualG黜ar”,wecutoutthestaticfmmes舶mdi鼠rent田pesofNETclassesandanalyzethefeasibilityofMDAinmultimodalNETThenac
10、cordingtoO’Hallom’s(2004)segmentationapproachtothed),11鋤icfilmicdiscourse,andcombmedwithBaldry&’nlibaul’s(2006)theoretical劬meworkfor鋤alyzingthedynamicadvenisementdiscourSe,t】】isp印ertakesShotsasthebasicunitofanalysis,trie
11、stoconstmctainte黟atiVeframeworkonamultimodaldiscourseanalysisonne押,orkEn91ishteachingdiscourses,whichcanbeappliedtoanycaseofne臼ⅣorkEnglishteaching。nisthesisattemptstostudythe“meta一如nctions’’ofdif&rentmodalitiesappearedin
12、the矗ameofshotsselected矗om“三oD庀西喀彳辦Po口’,thus也econclusionisthis:indi虢rentkindsofNETconteXt,theproperuseofdifferentmodalitieswhichsigni母dif&rentmeallillgpotentialscanobViouslyachievedi腦:remteachingaimsItproVidesthetheoretic
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