德彪西歌劇《佩利亞斯與梅麗桑德》的音樂學(xué)分析.pdf

1、天津音樂學(xué)院碩士學(xué)位論文德彪西歌劇《佩利亞斯與梅麗桑德》的音樂學(xué)分析姓名：王瑞申請(qǐng)學(xué)位級(jí)別：碩士專業(yè)：音樂學(xué)指導(dǎo)教師：周小靜20071201AbstractIIIAbstractPelleasMeliseisanoperaofnewstylethattookDebussy10yearstocomplete.UndertheinfluenceofsymbolicallyliteratureImpressionistpaintingDebu

2、ssychosesymbolismDramatistsMaeterlincksdramawksaslibrettoclearlysymbolizingthetypicalacteristicofliteratureinthisopera.Inthisplaythetraditionalapproachofcompositiongiveswaytohiscreativitytheuseoflargenumberofcreativetech

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4、sesymphonicchestraonliteratureaspecttheperfectembodimentofthesymbolictragicobscurenaturalisticrenderthisoperauniquebothinthecreationofmusicliteralplot.Thelooseobscurestructureofthisoperacomesfromthestructureoflibretto.Th

5、ederlyarrangementsofplotinthelibrettotogetherwiththeobscurelyfmedmusicsoundcontributetothe“vibrato”ofthemusicalfm.Literaryplotdominatestheoperawhilemusicfitsintotheliteraryatmospheresothatthefunctionofmusicliteratureachi

6、evesganicunity.Theoperareflectsthecomposer’saestheticsdifferentfromanypreviousconceptsbecamearepresentativeofimpressionoperas.Thetechniquesaestheticconceptreflectedhavecreatedafarreachingeffectfthe20thcenturyopera.Keywds