論油畫同其他繪畫形式的跨界與融合

1、 編 號(hào)： 碩士學(xué)位論文 碩士學(xué)位論文 題 目： 論油畫同其他繪畫形式的跨界與融合 論油畫同其他繪畫形式的跨界與融合 培 養(yǎng) 單 位： 沈陽(yáng)師范大學(xué) 專 業(yè) 名 稱： 美術(shù)學(xué) 指 導(dǎo) 教 師： 巫曉疆 研 究 生： 劉歡 完 成 時(shí) 間： 2014 年 3 月 31 日 沈陽(yáng)師范大學(xué)研究生處制 類 別 全日制研究生 √ 教育碩士 同等學(xué)力 Crossover

2、painting with other artistic forms and fusion Abstract “Crossover“ (Crossover), said that in recent years the frequency is very high, between different art and art forms of mutual learning and mutual penetration is more

3、 and more close and common. Today's art is not a form of simple, it constantly to more areas, expansion and reorganization extension. Crossover is thinking of the respiratory, artistic concept conversion at the sa

4、me time, the art market orientation also catalyzed the artist's personal choice, combined with the idea and form of breaking the limitation of original art, and at the same time, self discovery, self challenge, the

5、 process of ascension work value but also artists. Based on the cross as the breakthrough point, cross-border phenomenon in the field of modern art the collation and analysis, to explore the development course, charac

6、teristic analysis of Crossover works of art, and concludes some painting and printmaking, oil painting and Chinese painting and crossover between fusion. The article is divided into four parts: First of all, the first

7、chapter of cross-border phenomenon in contemporary art from the two international and domestic aspects, and illustrates these cross to a long-standing phenomenon, is a product of social change and economic development

8、 in the early Qing Dynasty, as Shi Tao said, “when the ink with the times“. From the above analysis, the conclusion, in the art market under the effect of cross border has become a mainstream trend, and the crossover p

9、henomenon has its rationality and necessity of existence. The second chapter and the third chapter is the key part of this paper, in painting and printmaking, oil painting and Chinese painting crossover between to be f

10、ocused on the expansion, for example analyzed the reasons for this phenomenon of cross-border and positive effects. Language and expression of prints and Chinese painting and oil painting of mutual integration and lin

11、kage, the oil painting expression more diversification, improve the public aesthetic and visual experience, also asked the artist to break the development and follow the beaten track, to see things in a keen eye and a

12、rt creation. The fourth chapter analyzes the positive value of oil painting cross after the and negative factors exist, the market from the academic angle, angle, the artist's own standpoint, analysis of the pros a

13、nd cons of Crossover dialectical. Development of cross-border immature unhelpful in art, the purpose of art is not for profit, the only way to make art road go farther, to promote the benign development of the art mark

14、et. Finally, the conclusion indicates the conclusion of this paper: Crossover objective is the art of unbounded and fusion. This integration is not a simple superposition, but from a deeper level of art creation, the o