賈仲明戲曲研究

1、 IIThe Research On Opera of Jia Zhong-ming Postgraduate:Xue Wei Jun; Supervisor:Prof.Du Hai Jun; Major:China ancient time literature; Specialty:The literature of Yuan,Ming and Qing dynasties. Grade:2007 Abstract Jia Zhon

2、gming is a famous dramatist and traditional opera theorist in the late of Yuan and earlier of Ming Dynasty. “Sequel of the Record of Ghost Book” says, ‘most creatures are Folk-song-styled Poems among his works’. It also

3、recorded 14 species of his Opera directory. In addition, Jia Zhongming in Wing Lok Si two decades made a continuation for Zhong Si’s “Record of Ghost Book” and made memorial poems for 82 Yuan dramatist. However, as a lon

4、g time span, Jia’s many works are lost; together with his special status of “Yan islet” Scholars, the understanding of Jia’s works remains to be further deepen. Based on this, by combing with his historical environment a

5、nd related information, adopting the methods of comprehensive analysis and comparative studies, this paper mainly discuss the works of Jia Zhongming, and strive to make a further investigation of the epoch features which

6、 reflected from Jia’s works. This paper is divided into four parts to analyze: The first part relates the life and writings of Jia Zhongming. Primarily through the relevant records of “Sequel of the Record of Ghost Book”

7、 and the description of the social conditions of the end of Yuan Dynasty and the earlier of Ming dynasty, it makes a rough outline of Jia’s life . In addition, it also shows his writings and their spreads one by one. The

8、 second part analysis the main characters in Jia’s love operas. By comparison, this part mainly reveals the characteristics of the images in Jia Zhongming’s love stories. At the same time, it explains the formation of im

9、age characters by combination of historical environment features. The third part deeply concentrates on the phenomena of “emphasis on manpower light of God“ in Jia’s Immortal-taoism Operas. Mainly through script analysi

10、s and comparison, this part is tried to elaborate the performance of “emphasis on manpower Light Spirit“ in Jia ZhongMing’s Immortal-taoism Operas. In addition, by combing with Jia zhongMing's historical environmen

11、t and his other works, this part explores the causes of the phenomena of “emphasis on manpower light of God“ in his creatures. The fourth part expounds the theoretical concept of Jia Zhongming’s opera, The theoretical