融合的碎片美與結(jié)構(gòu)美——論劉恪的先鋒理論與小說創(chuàng)作

1、河南大學(xué)碩士學(xué)位論文融合的碎片美與結(jié)構(gòu)美--論劉恪的先鋒理論與小說創(chuàng)作姓名：劉苗苗申請學(xué)位級別：碩士專業(yè)：中國現(xiàn)當(dāng)代文學(xué)指導(dǎo)教師：劉進(jìn)才2011-04IIIAbstract From 《 Red sailing 》 , 《 widow ship》 to 《city and city 》 , 《dream and poems》 , 《blue rain wandering 》 ,《lover in the dream》 , 《ears

2、of fish on the wall 》 then to 《desire rose》 、 《words poetics》 , 《modern novels skills Hall 》,《pioneer novels skills Hall》, one by one “texts of fusion by numerous debris “ have been published, appearing in our sight, att

3、acking our eyes, after coding, then entered brain, connected with personal reading experience, life experience ,memories and imagine, collision,and fusion, last entered the word of debris ,fudge,unlimited opening and dis

4、order .This world has numerous fragments about language, style, story ,structure complex, and also a large number of fragments depending on the skill of the writer, hiding in the text and fragments of eternal solitude a

5、nd melancholy complex .These texts all show characteristics of beauty of debris from the form to structure, from overall to details, complete the beauty of a fusion of debris and structures under constantly construction

6、and deconstruction under the basis of theoretical and experimental. Fragments about words,characters , the form (structure fragments) 、 style 、 skill (stream of consciousness、 intertextuality and meta description)collid