現(xiàn)代派電影的哲學探析

1、華僑大學碩士學位論文現(xiàn)代派電影的哲學探析姓名：毛啟鑒申請學位級別：碩士專業(yè)：馬克思主義哲學指導教師：彭立群20080501Abstract Existentialism was the Western popular philosophy ideological trend in the 20th century. Its ideological origins mainly comes from the Kierkegaard’s

2、 mysticism, Nietzsche's voluntarism, Husserl's phenomenology philosophy and so on, Its main founder is German philosopher Heidegger, the one who existentialism will push to the crest is France's Sartre. The

3、 existentialism philosophy elaboration is not the abstract consciousness, the concept, the essential traditional philosophy, it pays great attention to exist, the life. But refers not to person's reality existence

4、, but that the existence of the spirit, person's psychological consciousness (often is anxiety, despairs, fear and so on, non-rationally, and the morbid state subconscious) the same social being to oppose with ind

5、ividual reality existence, treats as the only real existence it. In the 1940s-1960s, existentialism with the presence of other modernism's philosophy, literary and artistic ideological trend has had a tremendous i

6、nfluence to the movie artistic creation, under all sorts of non-rationalism ideological trend's background, the Western movie's development reached the modernism peak period, showing a unique style of this period

7、 and significance. Ingma Bergman, Michelangelo Antonioni, Federico Fellini are modernist school movie masters who emerges at this time, simultaneously the French “New Wave“ and the “Left Bank faction,“ the movie work als

8、o has the intense modernism characteristic, and the film also works with a strong and modern characteristics, the representative personage has Francois Truffaut, Jean Luc Godard, Alain Renais especially and so on, these

9、 directors to produce films presents the common feature is the existence is absurd, the development of life is no order, no law, denies the causal relation, emphasized the role of personal subjective factors, stressed pe

10、rson's intuition, instinct and subconscious, that rational understanding of the dynamic role and function that is not rational and reliable Only the sexual instinct performance is real. This is undoubtedly the exist

11、entialism philosophy in modernist school movie's manifestation. This paper seeks to explore the relationship between art and philosophy of the general problem, from classical to modern development process, Traces L

12、ukacs's esthetics view and Benjamin's bright artistic form to the esthetics of film influence, critical analysis of philosophy under the influence of film theorists and artists on the basis of creativity , revea

13、led that the focus of the film as a modernist art in the presence of philosophical thinking, and the last part also relates to the post- modernism trends of thought after the end of existentialism on the impact of film