樊祖蔭五十六首鋼琴小曲的和聲特色

1、西安音樂學(xué)院碩士學(xué)位論文樊祖蔭五十六首鋼琴小曲的和聲特色姓名：陳俊人申請學(xué)位級別：碩士專業(yè)：作曲和聲指導(dǎo)教師：陳士森2011西安音樂學(xué)院碩士論文 Abstract IIAbstract Abstract The paper is theoretically guided by composer Zuyin FAN’s book, “Th

2、eory and method of Chinese pentatonic scales” and practically guided by his music work, “fifty-six piano pieces”. Based on analyzing the harmony characteristics of fifty-six piano pieces and combining with the predece

3、ssors’ research results, we can summarize the national harmony characteristics of this piano work. This paper consists of three chapters, “The brief introduction of the composer”, “Analysis of the 56 piano pieces” and

4、 “The national mode and harmony method”. Chapter 1 is “The brief introduction of the composer”. This paper explored the composer’s academic road, academic thoughts and concluded his academic achievement from three dif

5、ferent angles, musicology, composition theory and composition practice. Chapter 2 is “Analysis of the 56 piano pieces”. Selecting sixteen representative pieces from the fifty-six piano pieces, making a concrete analysi

6、s of tonalities and harmony characteristic. Chapter 3 summarized the national melodies and harmony characteristics by analyzing Zuyin FAN’s work. The last chapter is divided into four sections: 1.Tonality characteristic

7、s and harmony applications of the fifty-six pieces. 2. Piano Pieces in the vertical and horizontal integration and vertical pitch together. 3. Harmonic texture’s imitation the instruments of national characteristics thro

8、ugh his works. 4. Various techniques of harmony intervals and termination of the structure, additional primary chords. Overall, the collection of fifty six pieces piano is basing on pentatonic mode and composing by Chine

9、se national music material, using pentatonic harmony. In practical compositions, three factors are expurgated. In piano works, Zuyin Fan arranged the harmony characteristics in a way of concision、clarity and be full of n

10、ational characteristics. Through researching and analyzing Zuyin Fan pentatonic harmony theory and fifty six piano compositions, we can learn how to use these skills performing national music by various structures—that