在文學(xué)與繪畫(huà)間游戲——木心的藝術(shù)風(fēng)格考察

1、華中科技大學(xué)碩士學(xué)位論文在文學(xué)與繪畫(huà)間游戲--木心的藝術(shù)風(fēng)格考察姓名：劉雯申請(qǐng)學(xué)位級(jí)別：碩士專業(yè)：文藝學(xué)指導(dǎo)教師：王乾坤2010-12-23II華 中 科 技 大 學(xué) 碩 士 學(xué) 位 論 文 Abstract Literature and painting are the different kinds of art, in west “ a poem as audible picture and a

2、picture as silent poem”is an ancient proverb; in China poem and painting are homologous, pictures in poems, poems in pictures, that’ s occurred Chinese literati painting. In recent period, with the sub

3、dividing of art, l iterature and painting has gradually separated, when G .E.Lesing advanced the theory of the difference between p oem and painting in Laocoon, people pay more attention to the

4、ir differences. But in the present age, with the development of modern civilization, techniques and material in the creation are learned from each other on various categories of art, literature

5、and painting, but also shows influence to each other, and complete to each other. In Muxin’ s works, there are so many painting elements in them, full of picturesque conception. This thesis t

6、ries to discuss this feature, and explore the aesthetic style of Muxin. Be different with other writers, Muxin’ s works has a profound philosophical heritage. This thesis begins with analysis of

7、 Muxin’ s works, discuss the painting elements of light and shadow, color, composition, formed a variety of styles of screen image. In chapter 2, compares with Feng Zikai to concluding Muxin’