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1、 碩 士 學(xué) 位 論 文 碩 士 學(xué) 位 論 文 (學(xué) 術(shù) 學(xué) 位) (學(xué) 術(shù) 學(xué) 位) 論文題目 論文題目 傳承與革新——論馬奈藝術(shù)風(fēng)格 學(xué)科專業(yè)名稱 學(xué)科專業(yè)名稱 美術(shù)學(xué) 美術(shù)學(xué) 申 請 人 姓 名 申 請 人 姓 名 呂 慧 呂 慧 指 導(dǎo) 教 師 指 導(dǎo) 教 師 朱 剛 朱 剛 教授教授 論文提交時(shí)間 2015 年

2、 5 月 15 日論文提交時(shí)間 2015 年 5 月 15 日單 位 代 碼 10445 學(xué) 號 2012020558 分 類 號 J205 研 究 生 類 別 全日制 目 錄 中文摘要 ···············

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9、···················Ⅲ 引言 ·················

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13、;········1 第一章 馬奈藝術(shù)創(chuàng)作時(shí)代的美術(shù)語境簡述 ·························

14、;····································

15、83;········2 第一節(jié) 科技和工業(yè)的進(jìn)步··························

16、;····································

17、83;····························2 第二節(jié) 十九世紀(jì)的文化背景 ·····

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20、;········3 第二章 馬奈的傳承性藝術(shù)風(fēng)格 ·························

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22、183;···························5 第一節(jié) 沙龍傳統(tǒng)評審標(biāo)準(zhǔn)的影響 ······

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24、3;····································5

25、第二節(jié) 對藝術(shù)流派的傳承··································

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27、183;···················9 一、古典繪畫的留戀···············&

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32、;························12 三、現(xiàn)實(shí)主義的崇拜··········

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35、;········15 第三章 馬奈的革新性藝術(shù)風(fēng)格 ·························

36、83;····································&

37、#183;·························18 第一節(jié) 創(chuàng)作方式的革新········

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49、83;························25 四、空間···········

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52、183;···························28 第二節(jié) 現(xiàn)代生活面貌的極力表現(xiàn) ······

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54、83;··································32 第四章 馬奈藝術(shù)風(fēng)

55、格中的“吸收”與“轉(zhuǎn)換”··································

56、3;························36 第一節(jié) 理想美與現(xiàn)實(shí)美——從《田園合奏》到《草地上的午餐》 ·······

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