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1、 碩 士 學(xué) 位 論 文 碩 士 學(xué) 位 論 文 (學(xué) 術(shù) 學(xué) 位) (學(xué) 術(shù) 學(xué) 位) 論文題目 論文題目 傳承與革新——論馬奈藝術(shù)風(fēng)格 學(xué)科專業(yè)名稱 學(xué)科專業(yè)名稱 美術(shù)學(xué) 美術(shù)學(xué) 申 請 人 姓 名 申 請 人 姓 名 呂 慧 呂 慧 指 導(dǎo) 教 師 指 導(dǎo) 教 師 朱 剛 朱 剛 教授教授 論文提交時(shí)間 2015 年
2、 5 月 15 日論文提交時(shí)間 2015 年 5 月 15 日單 位 代 碼 10445 學(xué) 號 2012020558 分 類 號 J205 研 究 生 類 別 全日制 目 錄 中文摘要 ···············
3、3;····································
4、183;····································
5、····································Ⅰ Ab
6、stract···································
7、3;····································
8、183;····································
9、···················Ⅲ 引言 ·················
10、;····································
11、83;····································&
12、#183;····································
13、;········1 第一章 馬奈藝術(shù)創(chuàng)作時(shí)代的美術(shù)語境簡述 ·························
14、;····································
15、83;········2 第一節(jié) 科技和工業(yè)的進(jìn)步··························
16、;····································
17、83;····························2 第二節(jié) 十九世紀(jì)的文化背景 ·····
18、83;····································&
19、#183;····································
20、;········3 第二章 馬奈的傳承性藝術(shù)風(fēng)格 ·························
21、3;····································
22、183;···························5 第一節(jié) 沙龍傳統(tǒng)評審標(biāo)準(zhǔn)的影響 ······
23、····································
24、3;····································5
25、第二節(jié) 對藝術(shù)流派的傳承··································
26、3;····································
27、183;···················9 一、古典繪畫的留戀···············&
28、#183;····································
29、;····································
30、83;···10 二、浪漫思潮的陶醉·······························&
31、#183;····································
32、;························12 三、現(xiàn)實(shí)主義的崇拜··········
33、83;····································&
34、#183;····································
35、;········15 第三章 馬奈的革新性藝術(shù)風(fēng)格 ·························
36、83;····································&
37、#183;·························18 第一節(jié) 創(chuàng)作方式的革新········
38、83;····································&
39、#183;····································
40、;···········18 一、光························
41、83;····································&
42、#183;····································
43、;··················18 二、色彩·················
44、183;····································
45、····································
46、3;·····················20 三、筆法··············&
47、#183;····································
48、;····································
49、83;························25 四、空間···········
50、····································
51、3;····································
52、183;···························28 第二節(jié) 現(xiàn)代生活面貌的極力表現(xiàn) ······
53、;····································
54、83;··································32 第四章 馬奈藝術(shù)風(fēng)
55、格中的“吸收”與“轉(zhuǎn)換”··································
56、3;························36 第一節(jié) 理想美與現(xiàn)實(shí)美——從《田園合奏》到《草地上的午餐》 ·······
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