從政策到文藝——老舍“十七年”戲劇創(chuàng)作的文學(xué)行為分析

1、河南大學(xué)碩士學(xué)位論文從政策到文藝--老舍“十七年”戲劇創(chuàng)作的文學(xué)行為分析姓名：王芳申請(qǐng)學(xué)位級(jí)別：碩士專業(yè)：中國現(xiàn)當(dāng)代文學(xué)指導(dǎo)教師：張先飛2011-04VIABSTRACT For “17 years“ literature study, political and literary relations are an inevitable important aspects. Through the study of Lao She’s

2、“seventeen-year system“ plays and careful combing the policy, the author found at Lao She’s writing and policy orientation have important lationship in this period: Lao She’s play “immediate“ manifest a new era and a new

3、 life of the policy guidance. The embodies policy orientation phenomenon in Lao She’s artistic creation is universal, with this period of other writers, and creative environment undoubtedly likewise such. However, we cou

4、ldn't ignore a important fact that Lao She is an old authors, who have made tremendous reputation before liberation. This policy to art conversion phenomenon, which not only make Lao She liberation of drama appeared

5、almost brand-new appearance and different style, also showed Lao She constantly create and explore art . Except introduction and conclusion the article is divided into three parts: First part: analysis in the“ Long Xu G

6、ou “creation, Lao She from a policy to art attempt. Specifically, the writing of“ Long Xu Gou“ and policies have a close relation, during the process of creating , During the process of creating, Lao She conscious with c

7、haracter, language and subject to praise policy. And the author of the“ Long Xu Gou “l(fā)ater works creation and analyzes the relationship of policy. The second part: mainly discusses “ tea house “creative arts and policy,

8、 the conflict is divided into three aspects: 1, analysis of Lao She's writing of “Qin Shi three brothers “, the predecessor “teahouse“, whose motive is to response constitution. 2, discussed in the “two hundred“ peri

9、od, Lao She's thoughts on literature and art, and from the “Qin Shi three brothers “to“ teahouse “, the artistic achievement, it is concluded that “the teahouse“ creative embodies the policies within the conclusion.

10、3, from this period to “ teahouse “l(fā)iterary criticism and policy of the relationship, and“ leaps “period of Lao She's literary thought to illustrate the teahouse“ once again return to the category of policy. The thi

11、rd part: mainly analyzes “God Fist“,as a representative of the new themes of experiment ,and policy relationship, and draw a conclusion: in this period , Lao She’s new subject matter experiment has certain laws of art, b