中國古代的飛翔觀及其圖像表現(xiàn)

1、西北師范大學碩士學位論文中國古代的飛翔觀及其圖像表現(xiàn)姓名：顧雪申請學位級別：碩士專業(yè)：@指導教師：文化2009-05IIIAbstract Opening the ancient Chinese works of art, we will find there are many images of the vilitation, with varied and vague gestures or patterns. From the b

2、irds in the immemorial time to the symbol of the Chinese nation—“dragon and phoenix“, and then to the emergence of the fairies ascending to the heaven, all these images enrich the treasure-house of Chinese art. Among th

3、em, Flying apsaras in the Buddhist art particularly is a typical representative of such kind of flying forms. Flying apsaras is not the image of our own culture, but rather the fruits grafted by foreign culture and our

4、own culture. Moreover after being mixed and integrated with Chinese traditional art this image has come to be something with Chinese aesthetics. In the western classical art, there are also the images of flying, the ange

5、l waving wings is the representative. However Chinese Flying apsaras without wings also create something dynamic only by brandishing flounces and ribbons. The creation of Flying apsaras in china is neither accidental

6、 nor originated. As early as Flying apsaras’introduction to China with the Buddhist culture, there were already images of God or fairies with wings , which are also called “Feathers ”in Taoism. Actually there are lots of

7、 flying images in our country with long span of time, even through the whole history of Chinese art. From rock paintings during the original era, the birds on potteries, to the sculpture of dragon or phoenix on the Bronz

8、es of Xia, Shang, Zhou dynasties, and then to the portrait of the God-man and fanciful beast on the carved stones and bricks of Qin and Han dynasties, murals of fairies or strange winged-animal of Wei and Jin Dynasties’

9、tomb, etc. show that the existence of the volitation concept in ancient China and its development with the changes and development of history In this paper, we begin with the concept of validation of ancient China, then

10、comprehensively study the impact of religion, politics, philosophy and other cultural factors on this concept within Chinese history and culture background in order to find out the history traces of the evolution of this