臺灣女性散文鄉(xiāng)愁母題書寫_22702.pdf

1、摘要臺灣女性散文鄉(xiāng)愁母題書寫專業(yè)：中國現(xiàn)當(dāng)代文學(xué)姓名：劉倩導(dǎo)師：陳劍暉臺灣女性散文是臺灣：女性：文學(xué)乃至臺灣文學(xué)的重要組成部分，經(jīng)過幾十年的發(fā)展，已經(jīng)成為臺灣文學(xué)的重鎮(zhèn)。臺灣女性散文發(fā)軔于鄉(xiāng)愁母題書寫。經(jīng)過三代女散文家艱苦卓絕的創(chuàng)作實踐，臺灣女性散文鄉(xiāng)愁母題書寫的題材內(nèi)容不斷擴展，風(fēng)格從單一走向多元化，感情】由失落憂傷甚至悲觀絕望轉(zhuǎn)向積極樂觀，散文境界不斷開闊，包含著高貴的人性燭照和人文關(guān)懷，形成了與男性鄉(xiāng)愁散文不同的審美景觀，創(chuàng)造了臺

2、灣女性散文乃至臺灣文學(xué)、中國文學(xué)的亮麗風(fēng)景線。全文分為五個部分，具體框架如下：引言：簡要介紹臺灣女性散文的突出成就和臺灣女性散文鄉(xiāng)愁書寫的研究情況?，F(xiàn)有研究主要集中于單個或者某幾個女性作家、作品研究，或者泛泛而論臺灣散文的鄉(xiāng)愁主題書寫，未有意識地區(qū)分男女作家之問的性別差異；或整體研究臺灣女性散文創(chuàng)作，未對鄉(xiāng)愁母題書寫進行深入闡發(fā)，更未就女作家代際之間鄉(xiāng)愁母題書寫的傳承、發(fā)展、差異進行論述，難以看出臺灣女性散文鄉(xiāng)愁母題書寫的發(fā)展脈絡(luò)及其嬗

3、變演化過程。本文由此確定研究視角和思路。第～章：分為兩個部分，一是對兩個核心概念“鄉(xiāng)愁”、“母題”的定義進行梳理，以確定其具體的含義，明確展開論述的前提和范疇；二是從文學(xué)發(fā)生學(xué)的角度，按照時間先后順序?qū)ε_灣文學(xué)鄉(xiāng)愁母題書寫梳理，明確臺灣女性散文鄉(xiāng)愁母題書寫的社會歷史背景。THEWRJTJNGOFNOSTAL6lCMOTlFofTAlWANFEMALEPROSEABSTRACT=Major：ModemChineseliteratureNa

4、me：LiuQianSLl。pervisor：ChenJianhuiTaiwanfemaleproseisanimportantpartofTaiwanfemaleliteratureevenofTaiwanLiterature，whichhasbeentheimportantstrategicplaceofTaiwanLiteratureafterdecadesofdevelopmentTaiwanfemaleprosehasbegu

5、ninnostalgiamotifwritingBytheextremelyhardwritingPracticeofthreegenerationsoffemalewriter，thewritingsofNostalgiamotifinTaiwanfemaleprosehasbeeninprogressinmanyaspects，suchassubjectmattercontentwhichhasexpandedquicklyande

6、motionwhichhasbeenPositiveandoptimisticfrompessimismandProsestatewhichhasbeenwidenThewritingsofnostalgiamotifinTaiwanfemaleproseevenhaveperspectiveHumanitykinglyalldHumanisticcare，itsuniqueaestheticlandscapewhichisdiffer

7、entfrommalehasbeentakenshapeItsviewevenhasbeenthemostbeautifulinTaiwanliteratureandChineseliteratureTheletterdividesinto：fiveparts，theframeisasfollows：Preface：brieflyintroducedtheTaiwanfemaleproseoutstandingachievementsa

8、ndTaiwanfemaleprosewritingnostalgiaTheexistingresearchfocusesonasingleorafewwomenwriters，workstudy，orgeneraltermsofTaiwanprosewritingnostalgiatheme，withoutmayconsciousnessbetweenmenandwomenwritersoftheregiongenderdiffere

9、nces；OrthewholestudyTaiwanfemaleprose，nottothenostalgiamotiffurtherexpoundedwriting，notjustmorefemalewriterintergenerationalhomesicknessmotifofinheritanceanddevelopment，writingdifferenceanddifferenceisdiscussed，andhardto

10、seethatTaiwanfemaleprosehomesicknessmotifskeletonofevolutionandwritingtheevolutionprocess，SOastodetemainethetrainofthoughtThefirstchapter：isdilvidedintotwoparts，oneistotwocoreconcepthomesickness”，”mothertopiC”thedefiniti