周亮工及其《印人傳》研究_19060.pdf

1、南京藝術(shù)學(xué)院博士學(xué)位論文周亮工及其《印人傳》研究姓名：朱天曙申請(qǐng)學(xué)位級(jí)別：博士專業(yè)：美術(shù)學(xué)指導(dǎo)教師：黃惇20060519AbstractThisisthefirststudyofthefamousliteraticonnoisseurandartworkcollectorseaIcarverZhouLianggong(1612—16721whoIivedattheendofMingDynastyandthebeginningoftheQ

2、ingDynastyfocusingonhimselfandhiswritingsonsealcarvingTheIiteratis’culturaIactivitiesinthisperiodandtheirrelationshipwiththesocialandculturalenvironmentarediscussedthoroughlyjnlhisdissertationInthestudyaseitheranIiterati

3、oranofficialZhouLianggong‘sentireIifeisinvestigatedHisactivitiesonthehistoricstageoftheendofMingDynastyandthebeginningoftheQingDynastyareanalyzedbylookingatthecharacteristicsofhisera，hisnames(ancientChineseliteratorusual

4、lyhadthreenamesthefirstonewasgotfromtheirparents；whiletheothersaredecidedbythemselvesaccordingtotheirownthoughts，ambitions，oraffectionetc)hisnativeplacetheplaceshevisited，thechoicehemadeduring“thechangeofJiasheng”hisimpe

5、achmentduringtheperiodofShunkang。andburningbooksZhouLianggong’sextensiveacquaintanceofIiteratiandinteractioninartsactivitiesareshowedbylookingathisrelationshipwithliteraticirclesintheNorth，Jinling，YangzhouZhejiang，andFuj

6、ianThisdissertationalsoconductsasystematicstudyonthethoughtsbehaviom，worksandcalligraphyartsBasedonthediscussionofZhouLinggonghimseIf，thisdissertationfocusesonthefirstworkinChinesehistoryrecordingtheactivitiesofcarverswr

7、inenbyZhou一帥renzhuan1tisdiscussedinthefollowingthreefields：FirstlyitdiscussestherelationshipbetweentheprosperityofseaIcutIingactivitiesofliteratisattheendofMingDynastyandthebeginningoftheQingDynastyandtheeditedLaigutangS

8、ealcuttingPaDerAndthewritingprocesses。versiondevelopmentofy／nrenzhuanandDuhualuSecondlyitinvestigatesthethoughtsofy／nrenzhuanOnonehand。itcomparesandanalyzestherelationshipofwritingmotivesofQianQianyilsWuzhi拉WangYuyang’sg

9、anjiuAandyinrenzhuan；itstudiestheinfluenceofpoetsselectingandbiographywritingfashionatthebeginningofQingDynastyonthewritingstyleofyinrenzhuan；itindicatesthatthewritingofy／nrenzhuanshowsthehistoryandculturaImemoryoflitera

10、tis’reminiscenceattheendofMingDynastyandthebeginningoftheQingDynastyOntheotherhand，fromtheperspectiveofthedevelopmentofseaIcuffinginthatperiodthecomeintobeingofseajcuffing。literatitaste”thepromotionofthestatusofcarvers。t

11、heinfluenceofJinlingculturalenvironment，theexchangebetweencarversandIiteratisthechangesinseaIcuffingmaterials，andthechangesinfunctionshaveal||mprovedthetastesofcarversandseaIcuffingsThewritingofthisbookisreallyanecessity