法常變而道不變——論黃賓虹的繪畫民族性主張及其現(xiàn)實意義.pdf

1、東北師范大學(xué)碩士學(xué)位論文法常變而道不變——論黃賓虹的繪畫民族性主張及其現(xiàn)實意義姓名：趙煜申請學(xué)位級別：碩士專業(yè)：美術(shù)學(xué)指導(dǎo)教師：張建華20050501AbstractInChineseartisticcirclesboth1980s’CrisesTheoryand1990s’debatesoverthisassumptioncenteredonthefutureofChinesepaintingagainstthemacrocultur

2、albackgroundofthepresentageInthecontextofrealityBuddhism，TanismandConfucianismbywhichChinesepainting，asaspecialculturalphenomenoninthewoddcivilization，hasbeennurtBredandwhichitcarriesastraditions，havelosttheirsignificant

3、influenceonpaintingAndthetraditionalscholarlypaintinghasbecomefettersonthecontemporaryChinesepaintingHence，theconcernovertheitsdevelopmentalorientationhasgrowneventenseThe‘nationalcharacter’Wasemphasizedbytheassertiontha

4、t“itwouldbebettertoclingtotheoutwornideasthantoadoptabsurdnotions”O(jiān)bviouslythisstatementcarriesthesignificanceofwar曲：培andenlightenment，especiallyinthemultivariate(ordisorderlyandrandom)setupoftheartisticworldItmay$ervesa

5、soneofthechannelsthroughwhichtraditionalChinesecultureiscarriedonHoweverintheChinesepaintinghistorydoubtanddenialoftraditionalcultureaffectedthecoursethatChinesepaintingwouldfollowThispaperconfirmsHuangBinhong’Sviewof‘‘n

6、ationalcharacterinpainting’andverifiesthetheoreticalandpracticalsignificanceofmaintainingthecharacterbyexamininghistheoriesandartisticpracticeandanalyzingtherelationshipsbetweentheepochalcharacterofpaintinganditsnational