早期現(xiàn)代歐洲-中國(guó)風(fēng)-視覺文化.pdf

1、 早期現(xiàn)代歐洲“中國(guó)風(fēng)”視覺文化 Chinoiserie Visual Culture in Early Modern Europe 中國(guó)美術(shù)學(xué)院 早期現(xiàn)代歐洲“中國(guó)風(fēng)”視覺文化 胡俊 2 中文摘要 歐洲“中國(guó)風(fēng)”藝術(shù)作品在傳統(tǒng)的美術(shù)史研究中難以成為正史的研究?jī)?nèi) 容，但作為一種流行數(shù)百年的強(qiáng)烈視覺文化，其研究?jī)r(jià)值又是顯而易見的。 本文從全球化的視野，從視覺文化的視角，考察“

2、中國(guó)風(fēng)”在歐洲早期現(xiàn)代 歷史中所扮演的角色，所傳遞的文化信息。本文認(rèn)為“中國(guó)風(fēng)”的實(shí)質(zhì)是全 球化進(jìn)程中一個(gè)重要階段的視覺審美表現(xiàn)，對(duì)于早期現(xiàn)代史中歐洲新文化的 塑造起到過(guò)重要的作用；而且，從更廣闊的背景來(lái)看，與中國(guó)西域風(fēng)、中世 紀(jì)阿拉伯風(fēng)等美術(shù)國(guó)際化潮流一脈相承。 對(duì) “中國(guó)風(fēng)” 的研究是一次擺脫 “歐 洲中心主義” 的美術(shù)史探索。 英文摘要 The research of European Chinoiserie is less t

3、han enough and has hardly become the formal part of traditional art history; however, as a strong visual culture having lasted for over 200 years, its value of research is more than obvious. This article discusses the ro

4、le it played and the information it conveyed in terms of the visual culture and from the point of view of globalization in early modern period of European history. It is argued that Chinoiserie was the expression of the

5、aesthetics of globalization, which had its important influence on the formation of European new culture in early modern period. Further, if we expand our view broadly, we might find out that Chinoiserie was the natural

6、 sequence in the stream of globalization in visual culture that had started hundreds of years earlier, such as the Hellenization by ancient Greeks, Westernization in ancient China and Arabianization in the Middle Ages.