詩(shī)歌意象現(xiàn)代轉(zhuǎn)換研究.pdf

1、西南師范大學(xué)碩士學(xué)位論文詩(shī)歌意象現(xiàn)代轉(zhuǎn)換研究姓名：羅文軍申請(qǐng)學(xué)位級(jí)別：碩士專(zhuān)業(yè)：中國(guó)現(xiàn)當(dāng)代文學(xué)指導(dǎo)教師：呂進(jìn)20040501TheResearchintoThePoeticImagery’sModernTransformationMajor：ModemandContemporaryChineseLitemtmeSpecialty：ModemChinesePoeticsSupervisor：ProfLiiJinAuthor：LuoWenj

2、un(2001211)AbstractInthisthesis，theimagerymainlymeansitsgeneralmeaningsandconceptsThisterminologycan’tbeformedwithoutthelimitationofdiaehronicandsynckomccategoriesOnlyteviewitshistoryorputthehistoryandthepresentsituation

3、togethercannotmasterthemeaningsoftheimagery’SmodemtransformationTherefore，intheintroduction，abasicpoimisdiscussed：thetransformationofimageryisadynamicandcomplicatedconrse耵leresearchersusuallyignorethemeaningoftheclassica

4、lpoetrytOthetransformationButasamatteroffact，thecharacteristicsoftheclassicalpoetryaretheprerequisitesforthetransformationcourseThereisarelativeselfcontentedsituationintheclassicalpoetrybetween“implication”and“image’：ima

5、geryandpoetwritingaffectionandscene，andotheraestheticqualitiesWithmanykindsoffactorschanging，theselfcontentedsituationhasbeenbrokenslowlyandtheimagery’Smodemtransformationisinevitablenetransformationgoesthroughthreestage

6、s：theperiodofpreparationfromthelatterTsingDynastytotheearlytheRepublicofChina，theperiodofqualitativechangeanddevelopmentatthebeginningofthefreeverse，andtheperiodofdeepeningInthelongprocess，imageryandpoetwritinghavechange

7、dprofoundlyandacquirednewaestheticqualitiesItresultsfromtheinfluenceofthetraditionalideasandtheWesternarttheoryandpoets’subjectiveworkInthetransformationofimagerytheaestheticsensethatembodiesthechangeoflanguage，thinkingw

8、aysandphilosophyplaysagreat，inherentanddeeproleAccordinglymodempoe時(shí)showsnewcharacteristicsasfollowing：dissymmetryamongimages，theprominenceofmainimage，thevividdepictionofasingleimagethevariabilityofimagerytheemphasisofima

9、geryandexpositionfrommultiplepoints，etcOfcourse，thetransformationisstillunderW1lileittakesplaceinthecontradictoriesthatbetweenthetraditionandthemodemtheEastandtheWesttheimagery’Smodemtransformationhasakindofemotional“anx

10、iety”ButWeshouldn’tthinkthattheanxietyisthesalnetoimpetuositybecausethepoeticimagery’Smodemtransformationinheritsandsucceedsthetraditionaltheoryandisthedemandofart’SvitalityinthediscoursethatformedbytheWestandtheEastKeyw