我國文藝方針之“洋為中用”初探——以中國畫技法為例.pdf

1、湖南師范大學碩士學位論文我國文藝方針之“洋為中用”初探——以中國畫技法為例姓名：潘汝申請學位級別：碩士專業(yè)：美術學指導教師：蔣嘯鏑20100401AbstractHistoricalexperiencetellsUSthattheformofChina’Straditionalculturalart，hasneverbeeninward—lookingandconservativeInthispaperonthepremiseofWes

2、ternpaintingEastwardExpansion，analysestheexchangeandintegrationofChineseandWesterncultures，takingthedifferentartistsindifferenttimeasexamples，theauthorgetsintecognizingthekeywordsofthispaperTakingtheeffortsofyoungartists

3、incontemporaryChinaasanexampletoexplorefurtheracomprehensiveanalysis，understandingtherelationshipof‘makingforeignthingsserveChina’andinheritingtradition，aswellasrecognitionoftraditionandconsiderationoftraditionalcontempo

4、raryWiththedevelopmentandprogressofera，people’SappreciationofthebeautyhaschangedfromsinglenesstomultiplicitySo，fineartscreativemodelhaschangedfrommultiplicitytodiversifyMeanwhile，Nationalspiritandthemodernconceptarealsod

5、evelopingForexample，withtheimprovementofscienceandtech，avarietyofpigmentshavebeeninvented，etc，whichhasinfluencedthetraditionalChinesepaintingThisisthedemandsforthedevelopmenttrendofthetimesThedevelopmentofartisinfluenced