明代北宗山水畫(huà)風(fēng)格研究.pdf

1、浙江師范大學(xué)美術(shù)學(xué)院2010屆申請(qǐng)碩士學(xué)位論文ZhejiangNormaluniversity，SchoolofFineArtsApplyforamaster’Sdegreethesis，2010session明代北宗山水畫(huà)風(fēng)格研究TheResearchontheNorthSectLandscapePaintingStyleoftheMingDynasty學(xué)生姓名：王維明StudentName：WangWeiming學(xué)位類(lèi)別：文學(xué)碩士G

2、raduatecategory：MasterofArts學(xué)科專(zhuān)業(yè)：美術(shù)學(xué)Major：ArtTheory指導(dǎo)教師：趙濺球DissertationSupervisor：ZhaoJianqiu提交日期：2013年4月Datesubmitted：April2013THERESEARCHONT髓NORTHSECTLANDSCAPEPAINTINGSTYLEOFTHEMINGDYNASTYABSTRACTIntheearlyandmediumMin

3、gDynastyartcircle，becauseofthespecialpoliticalenvironment，economicenvironment，culturalenvironment，geographicalandothercomplexfactors，theNorthSectLandscapePaintingisveryflouringItemergedsomegreatpainterslikeWangLvDaiJin，W

4、uWei，TangYin，QiuYingAtthattimehavefourspecificstyles，includingtheNorthSectLandscapePaintingstyleof“NorthernSchool”，“SouthernSchool’’style“TheNorthSectastheBodytheSouthSectforUse’’styleand‘blueandgreen’’stylefourspecifics

5、tylesFirstofa11thispaperfromthepainting“style’’proceedwithtedefinethelandscapepainting‘North—SouthSect”theoryandthentotheNorthSectLandscapePaintingofthefourstyleswereoriginrelationbetweencombTheninthesecondchaptertalkeda

6、boutsomespecificartistsandworks，withstylistics，imagescience，literature，comparativestudies，psychologyandotherresearchmethods，focusingontheNorthSectLandscapePaintingstylefourlaunchedanindepthstudyToWangLvrepresentsthe‘Nort

7、hernSchool”styleandtoputintoDaiJin，WuWeiastherepresentativeofthe“SouthernSchool”stylefromphilosophyandaestheticsandgeographywerestudied，toTangYin’S‘‘TheNorthSectastheBodytheSouthSectforUse”styleandQiuYing“blueandgreen’’s

8、tylesincethemiddleofMingDynastywriterofthepaintersoccupationandoccupationoftheliteratipaintersangleareanalyzedThestyleofthefourspecificstudiesrevealtheevolutionofstyleinthecourseofthenegationlawInthethirdchaptertheNorthS