[雙語(yǔ)翻譯]家具設(shè)計(jì)外文翻譯--沙撈越當(dāng)代家具設(shè)計(jì)的工業(yè)設(shè)計(jì)創(chuàng)新

1、2750 英文單詞， 英文單詞，15000 英文字符 英文字符，中文 ，中文 4570 字文獻(xiàn)出處： 文獻(xiàn)出處：Abdullah M F A, Lamat M. Industrial Design Innovation of Sarawak Contemporary Furniture Design [J]. Procedia Engineering, 2013, 53(7):673-682.Industrial Design Inn

2、ovation of Sarawak Contemporary Furniture DesignMuhammad Firdaus Abong Abdullah, Sharifah Emme Suzaimi Syed Mohd Zahari , Mastika LamatAbstractThis paper is part of a fundamental research on indigenous Dayak’s motif of S

3、arawak as part of innovative design element for a contemporary chair design. Reviews of existing study on relation between novel, augmented, and copied designis used as a basis for establishing a distinctive Sarawak i

4、mage in the Malaysian furniture industry through the approach of methodology of industrial design. The research opportunities are focus on a number of significant disparities that have restricted the development of com

5、petitive furniture designs from Sarawak in particular. These disparities include the manufacturers’ unfamiliarity with innovative design approach, a lack of understanding on the importance of good design, uncertainty o

6、n user needs, and inappropriate use of critical design elements. The introduction of pioneered material species; despite providing new alternative to materials, adds further disparities to new furniture design and dev

7、elopment as more resources will need to be allocated for design management, development, testing and validation. This article provides an academic perspective on the contribution of industrial design to both innovation

8、 and performance. This perspective can be referred and adapted by the furniture industry player in Sarawak to establish a formal furniture design framework that emphasis industrial design, which could enable them to co

9、mpete in the local and international market. Keywords: Dayak’Indigenous Motif, Industrial Design, Timber Furniture Industry. 1. IntroductionThe furniture industry is one of the most prosperous industries in Malaysia. I

10、n fact, Malaysia stands among the world’s top ten wooden fiimiture producer with 2% share of the global furniture market or Ringgit Malaysia 4 billion of the total Malaysia export earnings from export of timber produc

11、ts in 2010(1).The Malaysian Industrial Development Authority (MIDA) earlier in 2011 revealed that it has approved major furniture projects that created employment for about 5,000 people (2).Now, Malaysia is stepping fu

12、rther into being recognised as furniture design destination (3). The country has the potential to provide creative and innovative international high fashion furniture design based on local design elements. However, the

13、se elements have not being explored and exploited to create a truly Malaysian image. Europe is famous for the “Italian style” luxury furniture and Indonesia is well-known for the exclusive teak furniture, which has pr

14、oved to be highly in demand with the affluence users throughout the country. The furniture manufacturers in Malaysia should adopt the European and the Indonesian approach in establishing its own furniture image. One d

15、istinct indigenous design element that could be applied to the furniture design in Malaysia is the indigenous Dayak’s Motifs (Refer to Figure 1). These motifs are well recognised in Malaysia and could well be adopted a

16、s one of the prominent image of Malaysian furniture.Fig. 1.The indigenous Dayaklban motif is a representation of one of Sarawak's unique culture that could be adapted as fumiturc design clement (Image source: flickr

17、.com, 2010)the design. The process of reproducing designs in this way does not contribute to new innovation and basically deprived the consumer's psychological needs. In the recent Sarawak Furniture Industry Entrep

18、reneurs Development Seminar2012organised by the Forest Research Institute of Malaysia (FRIM) and Universiti Malaysia Sarawak, most of the participating manufacturers and suppliers are not familiar with the industrial d

19、esign terminology, far more from practicing the methodology in their design and development process. In fact the participating organisations and suppliers are only introduced to the methodology by one of the seminar

20、9;s presenter.The furniture design fundamentals are already well established particularly in the aspects of structural configuration, materials, ergonomics, and functionalities. These fundamentals are so established th

21、at the only way to make differentiations on the design is through its appearance, and appearance is closely associated with aesthetics. The aesthetics appeal of a furniture product is the first factor that attracts con

22、sumers. Consumers will be interested in the furniture if the design appeals to their personal preference. However it will be a difficult task for manufacturers to meet all personal preference, thus the best approach is

23、 to embark on creating and establishing a universal image. Similar to a corporate identity, a product image must portray several significant aspects such as the products originality, quality, durability, and recognitio

24、n.Among those aspects, to get recognition for furniture to represent the image of a state or country needs meticulousconsideration. Since the indigenous Dayak's motif design is highly recognised among Malaysians a

25、nd tourists as the image of Sarawak, it is possible to incorporate these motifs in the furniture design and adopt them as the identity of Sarawak furniture.Sarawak's Dayak’s indigenous motifs designs are beautiful a

26、nd mythical (5). They have the greatest potential to be incorporated in contemporary furniture design. The unique designs are however very delicate and may need comprehensive research in order for the design to be suc

27、cessfully integrated into the total design of the furniture. If the indigenous motifs are to be combined, special consideration need to be given to the creation of the combined pattern design in order to prevent discon

28、tentment of the indigenous groups over the claim of the furniture’ name. Sustainability of the design, creative innovation and use of quality materials should be emphasis in the development to establish the new design

29、as well as providing some advantages over its competitors, both in the local and international markets. Design research should also be conducted on stylising the design to meet international market trends. The output o

30、f the research will be contemporary furniture inspired by Dayak’s indigenous motifs. 3. Industral design methodologyThe main purpose of industrial design is to meet the needs of the users through critical visual and ta

31、ngible elements within the design (6). The influence of industrial design is unrestricted as industrial design services can be applied in most industries (7). The process of industrial design has been described as phas

32、es of activities that are primarily user-driven rather than technology driven (8;9). This implies that industrial design process relates mainly to aspects betweenFig. 3. Generic industrial design process (Adopted from: