運(yùn)用敘事空間理論探究展示空間設(shè)計(jì)

1、中國(guó)美術(shù)學(xué)院學(xué)位論文原創(chuàng)性聲明本人鄭重聲明：所提交的學(xué)位論文是本人在導(dǎo)師的指導(dǎo)下，獨(dú)立進(jìn)行研究工作所取得的研究成果。除文中已經(jīng)加以標(biāo)注引用的內(nèi)容外，本論文不包含其他個(gè)人或集體己經(jīng)發(fā)表或撰寫(xiě)過(guò)的研究成果，也不含為獲得中國(guó)美術(shù)學(xué)院或其它教育機(jī)構(gòu)的學(xué)位證書(shū)而使用過(guò)的材料。對(duì)本文的研究作出重要貢獻(xiàn)的個(gè)人和集體，均已在文中以明確方式標(biāo)明。本人承擔(dān)本聲明的法律責(zé)任。一名捌嘏日。心年f月(7日學(xué)位論文版權(quán)使用授權(quán)書(shū)本學(xué)位論文作者完全了解學(xué)校有關(guān)保留、

2、使用學(xué)位論文的規(guī)定，同意學(xué)校保留并向國(guó)家有關(guān)部門(mén)或機(jī)構(gòu)送交論文的復(fù)印件和電子版，允許論文被查閱和借閱。本人授權(quán)中國(guó)美術(shù)學(xué)院可以將本學(xué)位論文的全部或部分內(nèi)容編入有關(guān)數(shù)據(jù)庫(kù)進(jìn)行檢索，可以采用影印、縮印或掃描等復(fù)制手段保存和匯編本學(xué)位論文。本學(xué)位論文屬于1、保密口，在年解密后適用本授權(quán)書(shū)。2、不保密甌(請(qǐng)?jiān)谝陨舷鄳?yīng)方框內(nèi)打“4”)作者簽名：導(dǎo)師簽名：日期y岬年日期：礦f尹年一q孓月7日l(shuí)歹月々日f(shuō)AbstractOnethousandvisi

3、torsvisitedtheexhibition，yoUcanseeathousanddifferentfedingsExhibitioniSacomprehensiveproductencompassesseveraldisciplines，inthehistoricalprocessofdisplaydesign，startingeitherfromtheavant—gardeuseofortheBauhausperiod，appe

4、arsfunctionaldisplaydesign，SOthatavarieWofexhibitionsemergeditalsonowanexhibitiondesigneriSnosmallchallengeHoweverthehistoryofnarrativespaceproved，fromthetraditionaltothemodernreligiousarchitecturepavilion，numerousexhibi

5、tsshowingbyagrouporanideaforsomenarrativeapproachwhichalsodidnotwhichoneiSthebestapproachChoosewhatyouwanttOdoiStoconveytheconceptofthespiritofthetimesorwhereWhatcanreallypropuptheexhibitionnarrative，whiletheexhibitioncl

6、earwithlayerednarrativeiShowtostrengthentheperceptionofthevisitorstotheexhibition，acombinationofbothisthecoreofmodernexhibitionFromthecurrenttrendofglobalcuratorialpointofviewtheexhibitionisdividedintoseveraltypesarealso

7、differenttypesofthematicexhibitiongalleries，aninternationaltravelingexhibition，BiennaleAnexcellentspecialexhibitiongalleries，goodworks，goodexhibitionnarrativeconcept，goodexhibitionspace，areindispensableWhentheconceptofbr

8、eakingtheMuseumofArtBiennialshowwhitespace，ameteoricrisetobecomethemostpopulartypeisnowanexhibitionexhibitionswaytheexhibitionitselfispushingsomeofthethingsshouldgo，breakingapreviousstabilityratherthanparrotingofthething

9、swerecognizedthenputoutPapersfromthetheoreticalprototypenarrativespaceofdeparture，willdoacrOSS—disciplinarynarrativespacebetweenthetheoryanddesignotexhibitionsDace，andusethistheorytoanalyzeandsortouttheperceptionottodays

10、exhibitionspacedesignedbythenarrativestructure，narrativelanguageandbehaviorondisplayintheexhibitiondesignlines，thenarrativelevel，investmentintechnologyrecognizableexhibition，exhibitionofvisualmetaphorrhythmandvisitorsint

11、eractivespacesevenstandardforanalysisofcurrentdomesticexhibitionsweretechnical，functionalandformalcombing，theexhibitionwillbecloselyintegratedwiththenarrativeexhibitionspacedesignedtOmakethemediamorepreciselyshowmorestru