中國戲曲臉譜色彩文化外文翻譯

1、2600 單詞， 單詞，13500 英文字符，中文 英文字符，中文 4200 字出處： 出處：Tu H. The Cultural Connotation and Symbolic Meaning of Chinese Opera Mask Color[C]// International Conference on Education, Language, Art and Inter-Cultural Communication.

2、 2017（40）.466-468The Cultural Connotation and Symbolic Meaning of Chinese Opera Mask ColorHanbing TuJilin Agricultural University Jilin, ChinaAbstract—Color is an important part of Chinese opera mask. It not only convey

3、s Chinese unique custom of color and cultural connotation through color line and color block, but also endows the opera mask art with rich symbolic meaning and aesthetic significance. Taking the colors of Chinese oper

4、a mask as research object, the paper has studied the cultural connotation in Chinese opera mask color, analyzed and expounded the symbolic meaning and aesthetic significance in Chinese opera mask color.Keywords—opera m

5、ask; cultural connotation; symbolic meaning; aesthetic meaningI.INTRODUCTIONChinese opera has a unique position on the world stage. With unique design and mask colors, it contains extensive and profound culture. In its

6、glorious history, the traditional opera of Han people is specific and different from the makeup art of other countries. The author will talk about Chinese opera mask from several aspects.II.THE CULTURAL CONNOTATION CO

7、NVEYED BY THE COLOR OF CHINESE TRADITIONAL OPERASWe can clearly see the mark of our traditional culture through the color composition of Chinese opera mask. It was the worship of totem and sacrificial rites in ancient

8、times that formed the love of natural color in opera mask. The culture of yin-yang and five elements and the harmony of nature and man form the taboo of five colors, which gradually becomes a significant standard and

9、example in coloring of opera mask and mask color aesthetics. Combining with the harmony of nature and man, the colors of opera mask can tell the role of opera. Influenced by the national tradition and regional aestheti

10、c culture, the love of natural colors, coloring and aesthetic standards gradually transformed into a custom, and even a fixed mode, and was handed down. Therefore, Chinese traditional culture gives an important impetus

11、 and influence on the formation of opera mask color.A．The Culture of the Worship of Totem and Sacrificial RitesThe worship of totem and sacrificial rites are the earliest culture of human. The love of natural color cam

12、e from this culture, which drove the formation of Chinese opera mask color. The earliest aesthetic consciousness on color originated from human’s living environment. Man began to worship and fear natural power in the c

13、ontact of nature, and regarded some natural colors as protection color and some as taboo color in the tribe. The most ancient color system was used in the sacrificial rite. As the origin of Chinese opera, the selection

14、 and application of colors of dress-up activities in the sacrificial rite have produced an unignorable referential value and influence on the formation of Chinese opera mask color. In the tribal period, cold and hunger

15、 were key words in the life of people. At this time, people longed for warm spring and harvest autumn. “Green” and “red” were deeply loved and worshiped by people, because they made people think of spring and autumn.

16、And these two colors became important part of mask. In earliest sacrificial rite, dress-up performance mainly included animal animation and god animation. Among them, the animal animation performance was direct animati

17、on of adoring animals. The animating objects included the movement and the colors of adoring animals. The selection of these colors strictly followed the worship color and taboo color in the tribal culture. The animat

18、ion of adoring animals also showed people’s perceptual knowledge of adoring painting. It mainly uses red, white, black, yellow, green and blue colors, which is the same as Tibetan painting. The strong contrast and the u

19、se of bright colors are important characteristics in the application of Tibetan opera mask color. Different from other ethnic groups, colors of Tibetan opera mask can not only show symbolic meanings but also obvious re

20、ligious meaning. For example, red stands for awesome. Generally use red mask for king. Monks dress up yellow robe. Immortals and Buddha wear yellow mask. In different cultural and ethnic background, the love and under

21、standing of color are also different. The artistic expressions produced by the selection and application of different opera mask color can express national culture and the tendency of national aesthetics. Therefore, th

22、e formation of opera mask color also has prominent national cultural characteristics.As a unique form of makeup, the color application of Chinese opera mask also is naturally affected by the aesthetic habits of the aud

23、ience. Due to different aesthetic orientations in different regions, the formation of the application of opera mask color shows different characteristics. Regional culture has an important influence on the development

24、 of opera mask color. The difference of regional aesthetic culture leads to the different formation of opera mask colors, which was obviously showed in the Ming Dynasty. For example, the role of Dajing of Kunshan oper

25、a and Geyang opera are differently performed. The red mask in Kunshan opera has many innovations, and the black mask in Geyang opera has prominent features. In Kunshan opera, Jia Sidao with white mask in Hongmei Ji and

26、 Yan Song in Fengming Ji are negative character. In Geyang opera, Bao Zheng in Timu Ji and Zhang Fei in Gucheng Ji with black mask are positive character with distinctive characters. The difference of white mask and bl

27、ack mask is influenced by the operas. And the regional tradition and aesthetic culture cannot be ignored in the formation of these differences. The red mask and white mask are also used in other operas just like Kunsh

28、an opera and Geyang opera, and they have the function of judging morality of characters. Maybe you would say it cannot explain the influence of regional custom and aesthetic culture on the formation of opera mask color

29、. Then the difference of mask color between Qiyang opera and Qin opera can fully reflects the influence of south and north regional aesthetics on the formation of opera color. Qiyang people are simple and bold. This c

30、ultural environment endows Qiyang opera mask with special characteristics. It is with distinct coloring, rough and bold lines. The people of Northern Shaanxi are bold and unstrained. The full-bodied history and generou

31、s cultural atmosphere make the mask color of Qin opera concise and lively, with strong contrast. Grandeur is the most important aesthetic quality of Qin opera mask color. In short, different regions have different natu

32、ral environments and histories, as well as aesthetic cultures. And the aesthetic culture plays an important role in composition of opera mask, and makes the selection and use of opera mask color with prominent regiona

33、l characteristics.III.THE SYMBOLIC MEANING OF CHINESE OPERA MASK COLORThe proper selection and application of Chinese opera mask color can hint the destiny or basic conditions of the role. For example, the frown of Bao

34、Zheng shows his worry and hard thinking; the face of Xiang Yu with misery eyes shows his tragic fate; the role of Sun Wukong is painted with a monkey's face, which suggests that he is a monkey. Painting actor’s fa

35、ce with colors distances audience from the plots of play. Actors with painted face look quite different. On one hand, it helps audience focus on the appreciation of opera itself. On the other hand, it can produce a sha

36、rp contrast when many actors with different color-painted faces come on stage at the same time. For example, “Junban” has a fine appearance, while “Dahualian” has an absurd face; when they come on stage at same time,

37、there will be a strong contrast. The face of Jing always is painted with bright and heavy colors, and the accent of Jing is thick and rough, so as to form a unity of appearance and accent. It produces a strong artisti

38、c effect and increase the artistic expression of the opera itself.In some cases, Chinese opera mask could show the skin color of the character by proper selection and application of colors. But its main purpose is to em

39、body the personality of the character and judge the morality of the character. Take Beijing opera as an example. Red mask generally represents an upright and righteous person, such as Guan Yu and Huang Gai. Purple mas

40、k represents justice, strong and brave figures, such as Yang Yanzhao and Zhuan Zhu. Use black mask to shape upright and outspoken or reckless figures. The most representative figures are Bao Zheng, Li Kui and Zhang Fei

41、. Use blue mask to shape obstinate and unruly and brave characters, such as, Dou Erdun and Liu Tang. The figures with yellow mask mainly are cruel but good at fighting, such as Yuwen Chengdu and Dian Wei. The figures w