西安當(dāng)代藝術(shù)生態(tài)調(diào)查報(bào)告——以西安美術(shù)學(xué)院為例

1、西安當(dāng)代藝術(shù)生態(tài)調(diào)查報(bào)告——以西安美術(shù)學(xué)院為例 II Subject: Ecological survey of contemporary art in Xi'an —— ——A Case Study of Xi'an Academy of Fine Arts Specialty:Fine Art Name:Hanye Jin Instructor:Dan He Professor ABSTRACT Xi'a

2、n development of contemporary art, with obvious regional characteristics, which is a feature of the domestic arts. Whenever has a strong artistic atmosphere of the city, will form a more clearly “l(fā)ocal contemporary art.“

3、 For example, “Beijing Contemporary Art,“ “Shanghai Contemporary Art“, “Guiyang Contemporary Art“ and so on. Secondly, such a “l(fā)ocal contemporary art“ again more gather Arts District is the main stronghold of art, artist

4、s gathered, on the one hand bring together some of the “l(fā)ocal contemporary art“ occurs, it is possible to a large extent on the “l(fā)ocal contemporary art“ has played leading role. Because of Xi'an Academy of Fine Arts,

5、 for the development of contemporary art in Xi'an, provides a number of frontier exploration, this exploration is dependent on the relevant art critics and artists to work together. In recent years, Academy of Fine A

6、rts and constantly develop new teaching attempt, held various academic activities, a leading contemporary art Xi'an a sign. This is the middle there are some outstanding students to become an emerging force in contem

7、porary art. Keywords: Contemporary Art Xi'an Academy of Fine Arts Art activities 西安當(dāng)代藝術(shù)生態(tài)調(diào)查報(bào)告——以西安美術(shù)學(xué)院為例 1 1 緒論 1.1 選題緣由 筆者在個人的藝術(shù)實(shí)踐及所參與的跟當(dāng)代藝術(shù)有關(guān)的相關(guān)活動中， 逐漸地深化著西安地區(qū)的當(dāng)代藝術(shù)的理解。 但是也對其中的一些新的發(fā)展態(tài)勢和來龍去脈， 存在好奇。隨著新興藝術(shù)家的不斷出現(xiàn)，西安

8、當(dāng)代藝術(shù)的發(fā)展，表現(xiàn)出了相對活躍的態(tài)勢，但似乎也存在著諸多問題。這些問題的解決，需要一個正確的引導(dǎo)，而西安美術(shù)學(xué)院作為西安地區(qū)的藝術(shù)中心之一，在這方面有著不可替代的作用。 1.2 研究現(xiàn)狀 關(guān)于西安當(dāng)代藝術(shù)的研究，數(shù)量不在少數(shù)。其中王建玉的《當(dāng)代藝術(shù)在西安的生存狀態(tài)之片斷》， 《區(qū)域概念的當(dāng)代藝術(shù)——后人一步的命運(yùn)——以西安當(dāng)代藝術(shù)為例》對西安地區(qū)的當(dāng)代藝術(shù)發(fā)展?fàn)顩r有一個比較中肯的論述。漢唐所撰的《體制內(nèi)外——西安當(dāng)代藝術(shù)生態(tài)考》則就美

9、院與當(dāng)下的當(dāng)代藝術(shù)狀況給出了較為切實(shí)的參考。本文主要的側(cè)重點(diǎn)主要以西安美術(shù)學(xué)院為主體， 因此在日常生活中， 對發(fā)生在西安美術(shù)學(xué)院的一些與當(dāng)代藝術(shù)相關(guān)聯(lián)的藝術(shù)活動，尤為重視。另外，筆者就當(dāng)代藝術(shù)向多名學(xué)者及美院的老師，展開采訪，在學(xué)生中開展調(diào)查，對相關(guān)的調(diào)查活動進(jìn)行總結(jié)。這些工作的開展對本文的完成，起到了決定性作用。 1.3 研究意義 本文試圖通過分析西安當(dāng)代藝術(shù)發(fā)展演變的歷史， 以及當(dāng)代藝術(shù)在當(dāng)下所表現(xiàn)出來的種種狀況， 著重對西安美術(shù)學(xué)