寧?kù)o的力量——淺析雪景山水畫的演變與發(fā)展

1、 曲阜師范大學(xué)研究生學(xué)位論文原創(chuàng)性說(shuō)明 （根據(jù)學(xué)位論文類型相應(yīng)地在“□”劃“√”） 本人鄭重聲明：此處所提交的博士□/碩士□論文《寧?kù)o的力量——淺析雪景山水畫的演變與發(fā)展》 ，是本人在導(dǎo)師指導(dǎo)下，在曲阜師范大學(xué)攻讀博士□/碩士□學(xué)位期間獨(dú)立進(jìn)行研究工作所取得的成果。論文中除注明部分外不包含他人已經(jīng)發(fā)表或撰寫的研究成果。對(duì)本文的研究工作做出重要貢獻(xiàn)的個(gè)人和集體，均已在文中以明確的方式注明。本聲明的法律結(jié)果將完全由本人承擔(dān)。 作者簽名：

2、 日期： 年 月 日 曲阜師范大學(xué)研究生學(xué)位論文使用授權(quán)書 （根據(jù)學(xué)位論文類型相應(yīng)地在“□”劃“√”） 《寧?kù)o的力量——淺析雪景山水畫的演變與發(fā)展》系本人在曲阜師范大學(xué)攻讀博士□/碩士□學(xué)位期間，在導(dǎo)師指導(dǎo)下完成的博士□/碩士□學(xué)位論文。本論文的研究成果歸曲阜師范大學(xué)所有，本論文的研究?jī)?nèi)容不得以其他單位的名義發(fā)表。本人完全了解曲阜師范大學(xué)關(guān)于保存、使用學(xué)位論文的規(guī)定，同意學(xué)校保留

3、并向有關(guān)部門送交論文的復(fù)印件和電子版本，允許論文被查閱和借閱。本人授權(quán)曲阜師范大學(xué)，可以采用影印或其他復(fù)制手段保存論文，可以公開發(fā)表論文的全部或部分內(nèi)容。 作者簽名： 日期： 年 月 日 導(dǎo)師簽名： 日期： 年 月 日 ABSTRACT Snow landscape painting is the

4、special topics of the four season landscape painting in ancient Chinese landscape painting, because it creates lonely and cold of the artistic conception with rich connotations and unique aesthetic implication, has long

5、been admired by all previous dynasties literati painters. This article attempts through to all previous dynasties traditional snow landscape painting and the interpretation of related art research condition, combining th

6、eory related to the theme of art in ancient writings, from the times background, pen and ink language, style and aesthetic connotation, and many other factors on the snow landscape review and summarize the situation of t

7、he evolution and development. Hope that through the study of the special painting subjects will make people get more attention and deeper understanding of the snow landscape painting, understand the inherent logic of sno

8、w landscape paintings in ancient China, and the rules to form clear understanding of the development, also hopes the research can provide inspiration to the creation of the snow landscape painting today. The main points

9、of the paper as follows: First of all, the thesis study of snow landscape position in the history of Chinese landscape painting and its aesthetic connotation: emphasize the research value of snow landscape painting, to c

10、larify the origin of the snow landscape painting, and then read Gu kaizhi, Zhang cengyao and Wangwei among these three early important painters in the snow landscape history, list their important work, discuss the import

11、ant value of development characteristics and the era background of early snow landscape painting to future generations. Secondly, the thesis expounds the snow landscape painting: the clear context development of the hist

12、orical evolution of the snow landscape formed in the course of the history of landscape painting, present a different style and personality era in orderly succession. Through to the different historical stages, analysis

13、different painting style and representative painter cases, sums up the influential painting style and schema language, to analyze its inner link and the impact of contemporary for modern snow landscape painting. Third, f

14、ind the main factors affecting the development of snow landscape: the article mainly from the geographical environment factors, social history and culture of Confucianism, Buddhism and Taoism three aspects carries on the

15、 analysis, illustrates a picture of a snow landscape painting have not only affected by one factor, it is formed by many factors, formed by the combined impact of these factors are short of one cannot, will form a mutual

16、 fusion production with vitality and influence. Fourth, this thesis discusses the performance of the traditional snow landscape painting techniques: first, the performance of the schema language, it is an important part