重建閨閣——論孟暉的創(chuàng)作

1、重建閨閣——論孟暉的創(chuàng)作 I 重建 重建閨閣 閨閣 —— ——論孟暉的創(chuàng)作 論孟暉的創(chuàng)作 摘 要 孟暉，是當(dāng)代文壇一個(gè)獨(dú)特的作家，她以閨閣的視角解讀歷史、建構(gòu)歷史、對(duì)抗時(shí)間的消逝，十幾年間，她用七個(gè)短篇小說(shuō)、一個(gè)中篇小說(shuō)和一個(gè)長(zhǎng)篇小說(shuō)完成了自己閨閣神話(huà)的書(shū)寫(xiě)，她用六部文化小品集還原了傳統(tǒng)閨閣女性的日常生活，接續(xù)起五四以后中斷已久的閨閣寫(xiě)作，本文從她特殊的閨閣作家身份出發(fā)，試圖重新發(fā)現(xiàn)孟暉的閨閣文學(xué)在當(dāng)代中國(guó)文壇的獨(dú)特價(jià)值。 本文分

2、為五部分。 第一部分前言，閨閣的衰落。從“閨閣”一詞的辭源進(jìn)行考證，對(duì)閨閣文學(xué)的產(chǎn)生和發(fā)展以及流變進(jìn)行了大體的梳理，簡(jiǎn)要的說(shuō)明了閨閣在五四以后的轉(zhuǎn)變，以及衰落的關(guān)鍵時(shí)刻并且細(xì)致的分析了閨閣的瓦解和閨閣文學(xué)在建國(guó)前后銷(xiāo)聲匿跡的原因，以此證明孟暉和她的閨閣文學(xué)在新世紀(jì)存在的獨(dú)特價(jià)值和意義。 正文分為四章。第一章，閨閣遭遇世紀(jì)之變。由于經(jīng)濟(jì)浪潮的沖擊，當(dāng)代女性從出生起便被納入社會(huì)話(huà)語(yǔ)體系， 這使得當(dāng)代女性失去了她們的閨閣， 加之現(xiàn)代閨閣作家大

3、部分已經(jīng)被社會(huì)化使閨閣寫(xiě)作在很長(zhǎng)一段時(shí)間里已經(jīng)衰微。 在這一部分里詳述了當(dāng)閨閣遭遇現(xiàn)代性后閨閣女性心靈無(wú)所寄托、 身體無(wú)所寄托等種種心理焦慮。 第二章，閨閣重建于想象之上。 孟暉的歷史小說(shuō)寫(xiě)作不同于其他作家的歷史小說(shuō)寫(xiě)作， 孟暉的歷史幾乎沒(méi)有歷史真實(shí)性，完全是憑借想象對(duì)歷史進(jìn)行隨意點(diǎn)染。這一部分以《盂蘭變》、 《十九郎》 、 《夏桃》 等歷史題材小說(shuō)為例， 詳述了孟暉對(duì)唐代敘夢(mèng)傳奇的重新創(chuàng)造和解讀。第三章，閨閣凝固在山谷中。在這一章我試

4、圖應(yīng)用結(jié)構(gòu)主義批評(píng)方法對(duì)文本進(jìn)行解讀，重點(diǎn)分析了作家“從無(wú)到無(wú)”的情節(jié)公式，以達(dá)到闡釋她歷史觀點(diǎn)的目的。第四章，女性歷史的文化詩(shī)學(xué)。 在這一章里， 主要闡釋了她女性的知識(shí)分子精神以及文化上的戀母情結(jié)，希望將作家的閨閣精神納入當(dāng)代話(huà)語(yǔ)體系。 孟暉的文學(xué)觀念從來(lái)不是傳統(tǒng)的， 她從不追求宏大敘事、 從不試圖描寫(xiě)男女兩性間的紅塵俗世， 她總是用自己瑰麗恢宏的想象力建構(gòu)一個(gè)也許不完整， 但是完美的情感世界。 孟暉小說(shuō)中最深刻的意義就是以心理寫(xiě)歷史

5、、 讓古老的原型置換出嶄新的故事。 從這些類(lèi)似于碎片的故事中我們能夠收集到處于文化邊緣的當(dāng)代閨閣女性的生存狀態(tài)和重建閨閣——論孟暉的創(chuàng)作 III Abstract Meng Hui is a unique contemporary literary writers, her boudoir perspective to interpret the history , construction history, against the p

6、assage of time , ten years, with seven short stories , a novella and a novel to complete their own boudoir the writing of the myth , six cultural sketch set to restore the traditional boudoir women's daily life , fol

7、low the interrupt has been a long time since fifty-four boudoir writing , starting from her special boudoir writer identity , trying to rediscover Meng Hui Boudoir Literature in contemporary the unique value of Chinese l

8、iterary world . This paper is divided into five parts. The preface of the first part, the decline of the attic. From “the attic“ the origin of the word CiYuan, attic literature to the production and the development of th

9、e rheological and provides a general comb, Outlines the later transition in the attic, and the key moment of the decline and detailed analyses of the attic of collapse and the attic literature before and after the foundi

10、ng of the disappeared in reasons to prove MengHui and her attic literature in the new century of existing unique value and significance. The text is divided into four chapters. The first chapter, in the attic of the cent

11、ury change. Due to the impact of the economic wave, contemporary women from the date of birth will be incorporated into social discourse system, this makes the contemporary women lost their attic, together with the moder

12、n writer of the attic have been largely socialized make of the attic in writing for a long time have become less. In this part of the attic that described in the attic women without heart after modernity feel, body feel

13、no such as many psychological anxiety. The second chapter, rebuilt in the attic above the imagination. MengHui historical novel writing is different from other writers of the historical novel writing, the history of the

14、MengHui almost no historical authenticity, completely is relying on imagination of history DianRan at will. In this part of the dishes LAN change “, “l(fā)ang 19“, “XiaTao“ and so on the history novels, for example, on the M

15、engHui on the Syria to create the dream legends and the reading. In the third chapter, frozen in the attic valley. In this chapter I tried to application structure of the text criticism methods of interpretation, and ana

16、lyses the writer “from no to no“ plot formula, in order to achieve the purpose of her interpretation view of history. The fourth chapter, women of the history cultural poetics. In this chapter, mainly explains the woman

17、in her intellectual and cultural spirit of Oedipus complex, want to the spirit of the attic into contemporary writer discourse system. MengHui literature conception is never the traditional, she never pursue grand narrat