鄒一桂及其小山畫譜研究兼論清代詞臣畫風(fēng)的形成與審美趣味

1、南京藝術(shù)學(xué)院博士學(xué)位論文鄒一桂及其《小山畫譜》研究--兼論清代詞臣畫風(fēng)的形成與審美趣味姓名：朱光耀申請(qǐng)學(xué)位級(jí)別：博士專業(yè)：美術(shù)學(xué)指導(dǎo)教師：樊波2011-05-26IIAbstract In this article the object of research is HanLin （翰林）painter named ZouYiGui （鄒一桂）in Qing dynasty and >（ 《小山 畫譜》 ） ,the mai

2、n line is the discussion of the court painter group in Qing dynasty and how to form the orthodoxy position with aesthetic tastes. In the Qing court bird and hill paintings group ZouYiGui won the aspect for a long time

3、, and >also created in its palace career, and it was the extremely important flower-and-bird theory works in Qing dynasty. this paper is on the research of ZouYiGui art activities and drawing thought which is unde

4、r the background of palace ,the aim is to explore a cognition of the new path.of palace painting . The point of this article is about HanLin painters ,they were not professional painters, but they were a leading role

5、painter team in Qing dynasty palace, and this phenomenon exists only in Qing painting group . HanLinl artists random between the professional painters and the literati painters because of its long-term with Kings , their

6、 style and aesthetic interest often pass the Kings informations. In the exploration of painters and kings life we found that palace provides showing the talent stage for word minister painters ,at the same time, it gives

7、 them some roles however as ZouYiGui such an outstanding painter can always find ways to express art style in contradictions and conflicts But the emperor, who is in the highest position also has the feeling of art and

8、 softness. This is the feature of Qing court painters especially QianLong（乾隆） emporer times. This paper also involves ZouYiGui’s family and life .Such basic research. to ZouYiGui such once famous HanLin painter, expand i