談勃拉姆斯鋼琴作品op.79no.1音樂美學(xué)特征

1、南京藝術(shù)學(xué)院碩士學(xué)位論文談勃拉姆斯鋼琴作品Op.79No.1音樂美學(xué)特征姓名：于雅琳申請學(xué)位級別：碩士專業(yè)：音樂學(xué)/西洋樂器演奏指導(dǎo)教師：彭鵬;劉承華20090415IIAbstract In the romantic period of nineteenth century, Composer Johannes Brahms’ (l833 --1897) musical creation is unique. When comment

2、ing on Brahms's music, there is no final conclusion in the academic world. It is full of contradictions to classify his works as school of romanticism, post-romanticism, classicism or new classicism, because they ref

3、lect both the formal beauty of classicism and the emotional beauty of romanticism. The Piano Rhapsody Op.79, one of the representative works in his mature period, demonstrates his unique musical charm in the form of musi

4、cal structure, harmony, texture, rhythm awareness and even emotional expression. This article discusses the duality of Brahms’ music aesthetics from the angle of playing Op.79 No.1, one of Brahms’ piano work Key Words: B