論二十世紀二三十年代海派作家的“唯美頹廢”敘事

1、華中科技大學碩士學位論文論二十世紀二三十年代海派作家的“唯美-頹廢”敘事姓名：文艷霞申請學位級別：碩士專業(yè)：現(xiàn)當代文學指導教師：李俊國2010-12-25II華 中 科 中 科 技 大 學 碩 士 學 位 論 大 學 碩 士 學 位 論 文 ABSTRACT Be influence by literary trend of western “Aestheticism- decadent”, we can found obvious

2、 “aesthetic-decadence“ narrative style in works of shanghai style writers between 1920s-1930s. It's important to re-know and appreciation all of the shanghai style writers for comprehensive study this narrative st

3、yle. The association between the shanghai style writers and Western “aestheticism-decadent“ is not neglected in “re-study shanghai style boom“ from the new era. However, most of this study were aiming at single writer

4、or single literature group, it is hard to see comprehensive study, also there were few study can dig to the works. So in this text, through literature analysis and text reading carefully methods, study how the “aesthet

5、ic-decadence“ narrative style origin、development and formed, also through reading carefully to their works analyzes its literature characteristics, then affirm its significance in history of literature. This paper is div

6、ided into five parts. The first part introduces how the “aestheticism“ and “decadent“ produced and why we call it “aestheticism-decadent” ,also through introduce its formation、propagation and status in history of western

7、 literature ,analyzes the connotation and denotation of “aestheticism-decadent” .The second part introduce the population of “aestheticism-decadent“ in shanghai during 1920s-1930s and how the shanghai style writers think

8、 about it .the third part analyzes language environment of “aestheticism-decadent“ from four perspective: western culture, urban space, revolution reality, concession environment. The fourth part is the key of this paper

9、, through read the works of shanghai style writers carefully, introduce literary features of their “aesthetic-decadence“ narrative style on four aspect: narrative tendency, narrative impetus, narrative inside informatio

10、n and narrative objective. Of course it detailed description the vision、auditory sense and tactile sense effect in their words, the favor to the beauty of moment、 extremes and variation and what they thinking about real

11、ity、 morals、 rational and pure art. The fifth part is about the significance of their “aesthetic-decadence” narrative style in history of literature, control breakthrough to traditional narrative, the influence to t

12、he recent literature、aesthetics and life. I believe, if Chinese contemporary literature is not fettered by morality、rationality、political situation, but pay attention to any things and details with an “ interesting hear

13、t” ,besides, can also write freely and think independently, keep the spirit narrative、 humanity narrative and soul narrative, it must have an glorious future. Key Words: Shanghai style aesthetic-decadence narrative sty