外文翻譯--中西方服裝的比較

1、<p>　　The comparison of the Chinese and foreign clothing</p><p>　　part1.Change of Chinese Clothing </p><p>　　An outstanding characteristic of traditional Chinese clothing is not only an ex

2、ternal expression of elegance, but also an internal symbolism. Each and every piece of traditional clothing communicates a vitality of its own. This combination of external form with internal symbolism is clearly exempli

3、fied in the pair of fighting pheasant feathers used in head wear originating in the battle wear of the Warring States period (475-221 B.C.). Two feathers of a ho bird (a type pheasant good at fighting)</p><p&g

4、t;　　Archaeological findings of 18,000 year-old artifacts such as bone sewing needles and stone beads and shells with holes bored in them attest to the existence of ornamentation and of sewing extremely early in Chinese c

5、ivilization. Variety and consistency in clothing were roughly established by the era of the Yellow Emperor and the Emperors Yao and Shun (about 4,500 years ago). Remains of woven silk and hemp articles and ancient cerami

6、c figures further demonstrate the sophistication and refinement </p><p>　　Typical of these three types of clothing were wide and voluminous sleeves and a very loose fit. Tunic and trousers or tunic and skirt

7、, utilized a very minimum number of stitches for the amount of cloth used. So because of their relatively plain design and structure, embroidered edgings, decorated bands, draped cloth or silks, patterns on the shoulders

8、, and sashes were often added as ornamentation. These varied designs came to be one of the unique features of traditional Chinese dress. </p><p>　　Darker colors were favored over lighter ones in traditional

9、Chinese clothing, so the main color of ceremonial clothing tended to be dark while bright, elaborate tapestry designs accented. Lighter colored clothing was worn more frequently by the common people for everyday and arou

10、nd the house use. The Chinese associate certain colors with specific seasons: green represents spring, red symbolizes summer, white represents autumn, and black symbolizes winter. The Chinese are said to have a fully dev

11、</p><p>　　Today, Fashion designers use a mixture of traditional and modern ideas to create new fashions. These new fashions also incorporate age-old motifs such as guardian deities, lions, and masks of Chine

12、se opera characters. Chinese bronze is another source of printed, woven, embroidered, and applied design for clothes. Some of the distinctive designs include dragons, phoenixes, clouds, and lightning. Motifs from traditi

13、onal Chinese painting also end up in woven or printed fashion designs. </p><p>　　In modern society, men are seen at social occasions wearing the dignified and refined traditional Chinese long gown, and women

14、 often wear the ch'i-p'ao, a modified form of a traditional China Dynasty fashion, on formal occasions. The variations of height, length, width, and ornamentation of the collar, sleeves, skirt, and basic cut of t

15、his Oriental fashion are limitless. </p><p>　　part2.A Comparison of Chinese and Western Clothing Culture </p><p>　　1. Introduce </p><p>　　In a sense, clothing reflects cultivation,

16、 taste, even dignity, and personality. It does not only beautify one's appearance but also represents a national political, economic, scientific, technological, and cultural landscape. In a word, it reflects the nati

17、on's overall quality. As one of the human culture manifestations, clothing culture was born to the national difference. This paper has analyzed the difference of Chinese and the Western clothing cultural in many aspe

18、cts. The innovative spot o</p><p>　　Clothing is a mundane part of our daily life. Yet in every culture, clothing is one of the most powerful and ubiquitous forms of visual communication. Judging people

19、9;s clothes they wear, we can easily evaluate their social status, occupation, ethnic or national identity, and so on. Manipulating the same sets of signals, people can declare their individuality, indicate their beliefs

20、, and signify their membership within various groups through the way they dress. Clothing is human unique achieve</p><p>　　2.Different rank concepts in Chinese and Western clothing </p><p>　　2.1

21、 Rank concept of clothing in China</p><p>　　China is the nation of etiquette. The goal of the rituals is to maintain “the etiquette has the different ranks”, and clothing is the representation of different r

22、anks. Therefore, the Chinese clothing culture is the symbol of politics. For example, the King always wore the fur coat as sacrificial clothing in the significant festival. The quantity and the quality of the pearls ench

23、ased in the crown are different according to the owner’s status. The clothes are not only different in color, but als</p><p>　　2.2 Rank concept of clothing in Western countries</p><p>　　The brea

24、k of the western culture and the primitive effect are quite thorough. The ancient Greece city-state system demonstrated，whose society had not been controlled by an emperor. Therefore the western clothing rank idea is qui

25、te weak and not strict except the extremely special ceremony activity. Upscale works and fine lining mainly display their rank differences. Many noblewomen bribe the clothing artisan in the palace to know what kind of cl

26、othing the queen will wear in the social occasion. T</p><p>　　3.The different culture Of Westerners</p><p>　　Can we comprehend our society by observing the appearance and behavior of its people

27、because of the way people dress reveals people's attitudes and interests ? While when we view this fantastic world , we will realize this point of view is reasonable, For instance: the French dress romantically beca

28、use romance and imagination are the main factors in French culture; the American dress optionally which is the result of American's quick rhythm of life and the Japanese dress formally, which may par</p><p

29、><b>　　中西方服裝的比較</b></p><p><b>　　1.中國服裝的改變</b></p><p>　　一個(gè)顯著的特色傳統(tǒng)的中國服裝不僅是一種優(yōu)雅的外在體現(xiàn),但也是一個(gè)內(nèi)部的象征。每一片生機(jī)將傳達(dá)自己。 這兩組的外在形式與內(nèi)在的象征符號(hào)是清楚地體現(xiàn)在戰(zhàn)斗的一對雉羽毛用于頭戴來源于仗著的戰(zhàn)國時(shí)期(公元前475 - 221)。兩個(gè)羽

30、毛的鳥(一種善于戰(zhàn)斗野雞)插入頭戴的戰(zhàn)士的這段時(shí)間,象征一個(gè)大膽的和好戰(zhàn)的精神。</p><p>　　18000歲的文物考古發(fā)現(xiàn)如骨針殼和石頭珠孔厭煩他們證明存在的裝飾縫紉非常早期的中華文明。多樣性和一致性大約建立服裝時(shí)代的黃帝和皇帝姚明和順(大約4500年前)。剩下的絲綢和麻編織的文章和古陶瓷數(shù)據(jù)進(jìn)一步證明的先進(jìn)性和精致的服裝在商代(公元前世紀(jì)到11到16世紀(jì))。</p><p>　　典

31、型的這三種類型的衣服袖子,寬,大量的一個(gè)非常松散的狀態(tài)。外套和褲子或束腰外衣、裙子,使用非常少量的針布使用金額。由于其相對簡潔的設(shè)計(jì)和結(jié)構(gòu),繡花裝修樂隊(duì),覆蓋布或絲綢、圖案的肩膀上,通常是增加一條,作為裝飾腰帶。設(shè)計(jì)了這些各種各樣的一大特色的中國傳統(tǒng)服裝。</p><p>　　深色的顏色是淡色皮膚的人,則偏愛在中國傳統(tǒng)服裝,所以主要的顏色的衣服往往是黑暗儀式而明亮,精心設(shè)計(jì)的織錦重讀。穿著淺色的衣服更頻繁的普通百

32、姓和周圍的房子為日常使用。中國副某些顏色和特定季節(jié):綠色代表春天,紅色象征的夏天,白色代表了秋天,黑色象征著冬天。中國被認(rèn)為是一個(gè)完全開發(fā)的系統(tǒng)配套的、協(xié)調(diào)、對比色彩和陰影中光明與黑暗的服飾。</p><p>　　今天,設(shè)計(jì)師運(yùn)用混合的傳統(tǒng)和現(xiàn)代思想創(chuàng)造的新的流行款式。這些新的流行款式也將古老的主題如監(jiān)護(hù)人神、獅子和面具的中國戲劇人物。中國的青銅是打印的另一來源、機(jī)織物、繡花,并應(yīng)用設(shè)計(jì)的衣服。一些獨(dú)特的設(shè)計(jì)包括

33、龍、鳳、云、和閃電。從中國傳統(tǒng)繪畫主題也最終在編織或打印的服裝設(shè)計(jì)。</p><p>　　在現(xiàn)代社會(huì)里,男人都出現(xiàn)在社交場合穿著端莊雅致的中國傳統(tǒng)長袍,婦女常常穿針,提出一種改進(jìn)形式的一個(gè)傳統(tǒng)的清的時(shí)尚。高度的變化,長度,寬度,和裝飾的領(lǐng)子,袖子,裙子,和基本減少這個(gè)東方時(shí)尚是無限的。</p><p><b>　　比較中西服飾文化</b></p><

34、;p>　　在某種意義上,服裝體現(xiàn)培養(yǎng)、品位、甚至尊嚴(yán)和人格。它的設(shè)置不僅美化人的外表,還能代表一個(gè)國家政治、經(jīng)濟(jì)、科學(xué)、技術(shù)、文化景觀。總之,它反映了民族的整體素質(zhì)。作為人類文化的表現(xiàn)形式,服裝文化出生國家差異。本文分析了中國和西方不同服裝文化在很多方面。摘要?jiǎng)?chuàng)新的地方就是它使用意境闡述中國和西方服飾文化之間的差異。它使人們有進(jìn)一步的了解中國和西方服裝文化,實(shí)現(xiàn)一個(gè)更好的繼承和發(fā)展。</p><p><

35、;b>　　1.介紹 :</b></p><p>　　一個(gè)普通的衣服是我們?nèi)粘Ｉ畹囊徊糠?。然而在每一個(gè)不同的文化、服裝是一種非常強(qiáng)大有力的視覺溝通和無所不在的方式。人們的衣著判斷,我們就可以很容易地評(píng)估他們的社會(huì)地位、職業(yè)、種族或民族身份等等。同一套信號(hào)處理,人們可以聲明他們的個(gè)性,預(yù)示著他們的信仰,象征著他們的會(huì)員在不同的團(tuán)體通過他們的衣服。服裝是人類獨(dú)特的成就。它不僅是物質(zhì)文明的結(jié)晶,也是

36、精神文明建設(shè)的意義。通過人類野蠻社會(huì)文明,緩慢地往前走,幾千年。在我們的祖先留下的猩猩和猴子有手提弓,搭在動(dòng)物皮膚和葉經(jīng)過年風(fēng)雨,難以計(jì)算,最后大步走在文明的困難。然后他們得溫暖的身體被樹葉,創(chuàng)造了物質(zhì)文明。然而,追求美是人類的本能。在人類的衣服金子鍍層在佛陀的目的不僅是為封面和溫暖的身體,同時(shí)也讓他們看起來更漂亮。出現(xiàn)后的服裝,人們逐漸把他們的習(xí)俗、審美情趣、顏色利益,以及各種文化思想,和宗教觀念帶進(jìn)服裝,反映了服裝文化的內(nèi)涵。因此,

37、一個(gè)民族的服裝的特點(diǎn)是深深扎根于民族文化。中國和西方服裝通過了年的歷史不斷,然后形成了自己的獨(dú)特風(fēng)格和系統(tǒng)。</p><p>　　2.不同等級(jí)的概念在中西服裝:</p><p>　　a.在中國的等級(jí)觀念的衣服</p><p>　　中國是世界上國家的禮儀。目的是為了維護(hù)的儀式“禮儀有不同等級(jí)”,服裝表示不同的等級(jí)。因此,中國服飾文化的象征是政治。例如,國王總是穿著那件

38、貂皮大衣作為祭祀服裝的重要節(jié)日。的數(shù)量和質(zhì)量的珍珠鑲嵌在皇冠上的不同排列圖型到主人的地位。不僅是不同的衣服的顏色,而且在設(shè)計(jì)。國王的王冠和熏蒸衣物的裝飾十二種徽記。保持聯(lián)系太陽、月亮、星星、龍、螨蟲;藻類、火、和刺繡以禮服的貴族在古代,以及獨(dú)角獸,有其象征意義。公爵的衣服拿上九章,但侯爵的衣物有七個(gè)章節(jié),或五章。為什么這樣一個(gè)復(fù)雜的規(guī)定使人們對服裝是它能使雜而簡單、和分類高年級(jí)。當(dāng)朝代改變,尤其是當(dāng)另一個(gè)種族侵襲。它總是引起了一個(gè)引人注

39、目的革命在全國的衣服。</p><p>　　b.等級(jí)的概念在西方國家的服裝</p><p>　　中場休息的西方文化與原始效果相當(dāng)深思熟慮。古希臘城邦制的證明，其社會(huì)有未得到很好控制的是一個(gè)皇帝。因此西方服裝的等級(jí)觀念相當(dāng)弱,而不是嚴(yán)格的,除了非常特別的儀式活動(dòng)。高檔的作品和細(xì)襯砌主要展示他們的等級(jí)差異。許多上流社會(huì)賄賂宮廷藝人在服裝知道什么樣的衣服穿在女王將社會(huì)活動(dòng)。然后他們裝扮成同一為王

40、后,為了炫耀。他們的王后總是允許他人穿同樣的服裝喜歡她的。這種寬容行為導(dǎo)致政治的小獨(dú)有的服裝,如設(shè)計(jì)、色彩、圖案和審美因素。</p><p>　　3.在不同的文化的西方人</p><p>　　我們能理解我們的社會(huì)通過觀察人們的外表和行為,因?yàn)槿藗兊拇┲虬缃沂玖巳藗兊膽B(tài)度和興趣?當(dāng)我們認(rèn)為這種奇妙的世界,我們會(huì)意識(shí)到這一點(diǎn)的觀點(diǎn)是合理的,比如:法式色拉油因?yàn)槔寺拖胂蟮睦寺亲钪饕挠绊懸?/p>

41、子在法國文化、美國服裝選擇的結(jié)果,是美國的快節(jié)奏的生活和日本正式裝,這也可部分因?yàn)閺?qiáng)調(diào)在日本文化的友誼。因此,當(dāng)我們仔細(xì)欣賞不同的著裝來自不同的國家,我們就會(huì)明白截然不同的文化氛圍。同時(shí),在人們的穿衣風(fēng)格變化相吻合的價(jià)值變化的社會(huì)。一個(gè)很典型的例子是藝術(shù)運(yùn)動(dòng)發(fā)生在1860年代的衣服,在十九世紀(jì)時(shí)尚潮流的衣服。服裝、相對寬松并適合平原,經(jīng)常以膨化袖長;它們是由面料顏色來源于自然染料波動(dòng),可以裝飾藝術(shù)風(fēng)格的繡花刺繡。流行服飾逐漸成為藝術(shù)知識(shí)