中國(guó)古代畫(huà)家、畫(huà)論與園論.pdf

1、天津大學(xué)碩士學(xué)位論文中國(guó)古代畫(huà)家、畫(huà)論與園論姓名：李長(zhǎng)華申請(qǐng)學(xué)位級(jí)別：碩士專(zhuān)業(yè)：設(shè)計(jì)藝術(shù)學(xué)指導(dǎo)教師：劉庭風(fēng)袁逸倩20070101ABSr眥CTWithcomingdowninonecontinuousline，bothofChinesegardeningtheoryandChinesepaintingtheoryhavetheintercommunicatingmethodandprinciple，inaspectsofesthetic

2、basis，creationrule，functionrequestandSOonForthousandyears，thegardenershavebeentakennaturalsceneryaSblueprintlandscapepaintingasmodel，paintingtheoryasguideThepoetryistimeartandthedrawingisspatialart，howeverthegardenisasyn

3、thesisart，whichassemblebuilding，poetrycalligraphydrawingandcarvingtOawholeThecreatingprocessofChineseclassicalgardencontainsrichpoetryandpaintingflavoreitherthewholeortheportion，namelySOcalled‘poeticandartisticbeauty”Man

4、yliteratorsandpaintersofpastdynastieshadparticipatedingardeningdirectlywhichaddtheliteratorsthought，andpainterstheory，styleandmethodintogardencreationDuetOtheirparticipation，thegardenshavethehigherhumaniSticdoctrineandar

5、tisticconception，givingbirthtO”theiiteratorgarden”Eleganttemperament，themoralsentimentevenlifephilosophyoftheliteratorandpainterhaVebeenexpressedthroughthegardeningAlloftheseissimilartothespiritthatthe”literatorpainting’

6、’pursues；howeverthegardeningbecomesthespatialartrisingfromtheplaneartThroughtheresearchonthepaintingtheoryandthegardeningtheorythisarticletrytoanalyzethegardencreationinfluencedbypaintingtheoryandtherelationbetweenthem，i

7、nordertOexplorethepaintingflavorwhichthegardenerpursuesinthegardencreationandprovidessomereferenceforthemodemgardenandlandscapedesignKEYWORDS：Landscapearchitecture，Landscapepainting，PainterPaintingtheory，Gardenmakingtheo