貝婁中篇小說《只爭朝夕》的敘事闡釋_41965.pdf

1、東北師范大學碩士學位論文無根的苦悶——索爾.貝婁中篇小說《只爭朝夕》的敘事闡釋姓名：莊園申請學位級別：碩士專業(yè)：比較文學與世界文學指導教師：劉建軍20090501AbstractSaulBellow’Sfamousnovelette，”SeizetheDay”notonlydescribesallAmericanJew’Sonedayexperience，butalsevealswhathehasencounteredinmostofh

2、islifethroughcleverplotdesignandlayoutThroughthemaincharacter’Sexperienceoffailureandmistakesintherealworldandhisboredomanddespairinhisspiritualworld，theauthorexpressesthethemeof’rootlessness’ofthemodemAmericanJewishcomm

3、unityandtheircrisisofsurvivalandspirituallossInordertobetterexpressthethemeof”rootlessness”，BellowselectedandarrangedthenarrativematerialsbrilliantlythroughoutthisentirenovelTMsarticleattemptstoconductanarrativeanalysiso

4、fthisnovelandisstructuredasfollows：ThefirstpartbrieflyintroducesSaulBellowhisnovel”SeizetheDay”andtheexpressionofthemeof”rootlessness”fromtheperspectiveofhisculturalidentityandthecontentofhisworkThesecondpartmainlyintrod

5、ucesthe”Shlemiel”narrativestyleofSeizetheDay”TheformationofthisstyleisdeeplyrelatedtothesufferingsofJewishpeopleinthehistoryThroughananalysisoftheimageofthemaincharacterinthisnovel，orinotherwords，”Shlemiel”1willdiscussho

6、wBellowusedthistypeofnarrativestyletoportraythetrueeireumstancesofmodemAmericanJewsThetmrdpartmainlyanalysesthenarrativemodeof”SeizetheDay”ItisstartedbyintroducingthethreetypesofstructuremodesinWesternnovelsThenarrativem

7、odeofSeizetheDay”ispicaresqueandBellowdevelopedthismodelbymakingthecharacterswanderinhisexternalbehavioraswellasinhisspiritualworldThereforethephysicalandspiritualwanderingseemstomeltintooneperfectlyonthemaincharacterPar

8、tfourmainlyanalysesthenarrativemethodsof”SeizetheDay”fromthreeperspectivesFirst，itisarguedthatthenarrativevisionof”SeizetheDay”shouldbeclassifiedasnonfocusTheuseofsuchvisionCanhelpthenarratorgetholdofthementalfeelingsofe

9、verysinglecharacteronthesceneinaverydeliberatewayandmanifeststhemaincharacter’SnosenseofbelongingandrootlessconditiontothegreatestdegreeOntheotherhand，byanalyzingtheuseofthestreamofconsciousnessinthisnovel，itcarlbeseenth

10、attherearethreepatternsofnarrativediscourse：indirectspeech，freedirectspeechandfreeindirectspeechTheuseofdifferentnarrativediscoursesCanleadreaderstoexperiencetherootlessspiritualwanderingofthecharacterintherealcircumstan