《周易》之“象”的文化內(nèi)涵及審美意義.pdf

1、河南大學(xué)碩士學(xué)位論文《周易》之“象”的文化內(nèi)涵及審美意義姓名：陳志霞申請(qǐng)學(xué)位級(jí)別：碩士專業(yè)：中國(guó)古代文學(xué)指導(dǎo)教師：華鋒20050501Abstract“Image’isthefundamentalcategorywhichhasrichconnotationanduniversalapplicabilityinChinesecultureandaestheticsHowevertheBookofCtmnges，aSthesourceof

2、Chineseculture，laysafoundationfortheformationanddamageofthiscategoryThereforeithasgreattheoreticalsignificanceandpracticalvalueforUStOdiscussdeeplyandsystemicallytheculttwalconnotationandaestheticsignificanceofimageill“t

3、heBookofChanges‘Image’intheBookofChangeshastwolevelsofconnotationsOneisphraseologytheotheristhinking“Image|’’ofphraseologyincludes‘image’’ofverband“image”ofnOUll‘Image”ofverbhastwokindsofmeaningssymbolizationand取法The‘ima

4、ge”ofnounhasthreekindsofmeanings：‘image’ofthing“image’’ofsymboland‘image’ofmorality‘Image”ofphraseologyhasfourcharacteristics：symbolizationpolysemyobscurityand喻理性‘Image”oft11inkingincludesthreekindsofthinking吼)es：ideasym

5、boliza60rj’‘image”，whichhasthreecharacteristics：integerofheavenandman；dialecticofharmonioUSyinandyangopposites；intuitionofinwardenlightenmentThe“image’categoryand“image’ofthinkingintheBookofchangeshavegreata11dfarreachin

6、ginfluencesOnChinesewaditionalaestheticsand揶twhichearlbetestedfrommetaphoricalsymbolizationheavenandmanharmonioUSyinandyangopposites，inwardintuitionandtheinternalrelevancyofChinesetraditionalartInaword‘image’：intheBookof