從歷史到影視?。盒市蜗箧幼冄芯?pdf

1、分類號UDC學(xué)弓MjQ211密級埸H1大季YANGZHOUUNIVERSfTY碩士學(xué)位論文(全日制學(xué)茌學(xué)位)從歷史到影視劇：玄奘形象嬗變研究指導(dǎo)教師姓名：申請學(xué)位級別：論文提交日期：學(xué)位授予單位：楊婧綺。；鰱至墊型熬撞：i弛!i盤堂：姿薟墊叢：22三QQ皇，亟圭一學(xué)科專業(yè)名稱：毯劍芻鱟迥釜一201805論文答辯口期：學(xué)位授予口期：2018年。5月20180524揚州大學(xué)碩士學(xué)位論文AbstractXuanzangwasagreatbud

2、dhistscholarduringthetangdynastySincethetangdynasty，beforetheadventoffilmandtelevisionmedia，people’sunderstandingandunderstandingofxuanzangmostlycamefromwrittenrecords，whichincludedhistoricalmaterialsaswellasnovelsandpla

3、ysInthecontextofdifferentperiodsofhistory，theimageofxuanzangadaptedbydifferentliteraryworks，untiltheMingdynastynoveljourneytothewest”inthetang。Smonk，xuanzang，ahistoricalfigure，inaagehaschangedintoliteraryworksinthelitera

4、tureWiththedevelopmentoffilmandtelevisionteclmology，theexpressionofartisticimagehasbecomemoreandmorediversified，andthetexthasbeentransformedintoapictureTang’Smonkhascompletedanothertransmutationoftheimageofxuanzanginthec

5、ross—mediacontextBasedonthearchetypeofxuanzanginhistory，thispaperstudiesthetransmutationofxuanzang’SimagefromhistorytoliteratureandfromliteraryworkstofilmsandTVseriesThefirstchapteranalyzeshowxuanzang’Simageistransformed

6、fromhistoricalarchetypetoliteraryimageinhistoricalcontextThesecondchapteraimsattheturningpointoftheevolutionofxuanzang’Simage，andanalyzestheconstructionandculturalreasonsofxuanzang’Sclassicfilmandtelevisionimagebroughtby

7、thenovel’Ijoumeytothewest”Thethirdchaptermainlyanalyzesthediversityofthecharacterofxuanzanginthemediaoffilmandtelevision，inthepost—modemcontextInthefourthchapter，thetextofthefilm’xuanzang”istheobjectofinterpretation，andt

8、heregressionofxuanzang’SfilmandtelevisionimagetothehistoricalprototypeisanalyzedThefifthchaptercombinestheevolutionofxuanzang’SimageindifferenttextcontextsanddifferentfilmandTVworks，andanalyzestheenlightenmentofliterarya

9、ndfilmadaptationofhistoricalfiguresonthedevelopmentofliteratureandfilmandtelevisionHistoricalfigures，theliteraryfilmadaptationisanenduringproblem，thisarticlewilltoxuanzangimagebyhistoricalfiguresintoliteraryimageagainint

10、othefilmandtelevisionimageresearchesinthisevolutionprocess，andtrytoanalyzetheevolutionprocessofthecharacters，thecorrelationoftheadaptationofculturalcontextandcharactersinordertoimprovethefutureofthefilmandtelevisioncreat

11、ionKeywords：XuanZang；Tangseng；Thecharacterimage；Change揚州大學(xué)碩士學(xué)位論文AbstractXuanzangwasagreatbuddhistscholarduringthetangdynasty.Sincethetangdynastybefetheadventoffilmtelevisionmediapeoplesunderstingunderstingofxuanzangmost1

12、ycame仕omwrittenrecdswhichincludedhisticalmaterialsaswellasnovelsplays.1nthecontextofdifferentperiodsofhistytheimageofxuanzangadaptedbydifferentliterarywksuntiltheMingdynastynovelJourneytothewest“inthetangsmonkxuanzangahi

13、sticalfigureimagehaschangedintoliterarywksintheliterature.W讓hthedevelopmentoffilmtelevisiontechnologytheexpressionofartisticimagehasbecomememediversifiedthetexthasbeentransfmedintoapicture.Tangsmonkhascompletedanothertra

14、nsmutationoftheimageofxuanzanginthecrossmediacontext.Basedonthearchetypeofxuanzanginhisto町，thispaperstudiesthetransmutationofxuanzangsimagefromhistytoliteraturefromliterarywkstofilmsTVseries.Thefirstchapteranalyzeshowxua

15、nzangsimageistransfmedfromhisticalarchetypetoliteraryimageinhisticalcontext.Thesecondchapteraimsattheturningpointoftheevolutionofxuanzangsimageanalyzestheconstructionculturalreasonsofxuanzangsclassicfilmtelevisionimagebr

16、oughtbythenovel飛journeytothewest“.Thethirdchaptermainlyanalyzesthediversityoftheacterofxuanzanginthemediaoffilmtelevisioninthepostmoderncontext.1nthefourthchapterthetextofthefilm“xuanzang“istheobjectofinterpretationthere

17、gressionofxuanzangsfilmtelevisionimagetothehisticalprototypeisanalyzed.The自由hchaptercombinestheevolutionofxuanzangsimageindifferenttextcontextsdifferentfilmTVwksanalyzestheenlightenmentofliteraryfilmadaptationofhisticalf

18、iguresonthedevelopmentofIiteraturefilmtelevision.Histicalfigurestheliteraryfilmadaptationisanenduringproblemthisarticlewilltoxuanzangimagebyhisticalfiguresintoliteraryimageagainintothefilmtelevisionimageresearchesinthise