探究李伯安組畫《走出巴顏喀拉》的藝術(shù)特色.pdf

1、生命詮釋筆墨 精神訴諸丹青——探究李伯安的繪畫藝術(shù)特色 第一部分緒論。 第二部分將李伯安的成長經(jīng)歷和藝術(shù)生涯進行了總的概述。具體以李伯安創(chuàng)作的三個階段：1968——1978 年，創(chuàng)作的萌芽期；1978——1988 年，創(chuàng)作的豐收期；1988——1998 年，創(chuàng)作的巔峰期。 第三部分闡述了李伯安繪畫風(fēng)格的形成與自身素養(yǎng)的提升，具體歸納為傳統(tǒng)語言的延續(xù)與繼承；“真、善、美”的自我體現(xiàn)；多種藝術(shù)形式相融合三個小節(jié)。文章的第四部分為本文重點論述

2、部分，以組畫《走出巴顏喀拉》呈現(xiàn)出來的藝術(shù)特征表達李伯安的精神訴求，具體從體現(xiàn)民族凝聚力的群像式構(gòu)圖、符合東方審美的意象造型、傳遞精神風(fēng)骨的筆墨運用中三個小節(jié)進行闡述，并總結(jié)出李伯安對生命的感悟和民族精神風(fēng)骨的向往情懷。 第五部分結(jié)合李伯安的繪畫藝術(shù)特色對本人創(chuàng)作的啟示。 關(guān)鍵詞：李伯安，《走出巴顏喀拉》，生命，精神，藝術(shù)特色 研究類型：應(yīng)用研究 生命詮釋筆墨 精神訴諸丹青——探究李伯安的繪畫藝術(shù)特色 The first part is

3、 the introduction. In the second part, Li Boan's growth experience and artistic career were summarized. Specific to the three stages of the creation of Li Boan: 1968 - 1978, the creation of the embryonic period; 1978

4、 - 1988, the creation of the harvest period; 1988 - 1998, the peak period of creation. The third part expounds the enhance the formation of Li Boan's style of painting and its accomplishment, specifically summarized

5、as the continuation and inheritance of traditional language; “the true, the good and the beautiful“ self-expression; a variety of art forms integration three sections. In the fourth part is the key part of this paper, to

6、 “out of the Bayan Har“ presented the artistic features, specific from the embodiment of national cohesion portrait style composition, with oriental aesthetic imago sculpt, transfer the spirit character of ink used in th

7、ree sections to carry on the elaboration, and summed up the yearning feelings of Li Boan's of life sentiment and national spirit character. The fifth part of the combination of Li Boan's painting artistic feature