（選自書籍）室內(nèi)設(shè)計：概念基礎(chǔ)外文翻譯（英文）

1、Anthony SullyB asisInteri or Desig n: Concept ual 5.5 Enclosure 145Fig. 5.6 Interior of hemispherical domeIn Chap. 3 (Sect. 3.7), I refer to the possible premeditated association of certain materials that a designer c

2、an make with regard to the foors, walls and ceilings. It is important to ignore this tendency and start with a fresh slate by working out the process of selection. Every project should be treated afresh by the designer

3、at the outset, so that new problems deserve new solutions. I know that the more experi-enced designer has more baggage, which is likely to be carried from one project to another. By ‘baggage’, I mean certain favoured pr

4、oducts or materials, or construc- tion techniques that have proved themselves as being successful in terms of cost and a favoured client response. In a distinguished designer’s work, there will be telltale signs of repea

5、ted specifcation or colours from one job to another. One may call this ‘style’. Examples of such a ‘signature’ are as follows: Tadao Ando’s 5 smooth concrete walls; Frank Gehry’s exterior titanium sheet cladding; e

6、ngineer 6 Anthony Hunt’s cross-tensioned steel framing; Eva Jiricˇná’s glass staircases; 7 8Carlo Scarpa’s use of marble and stone; and Richard Meier’s9

7、 10 obsession with the external cladding grid of panels or tiles. This is in no way a criticism but rather an understandable reuse of something that has been tried and tested.56 Tadao Ando, born in Os

8、aka 1941, is a Japanese self-taught architect.Frank Owen Gehry, born in 1929, is a Canadian American Pritzker Prize winning architect based in Los Angeles.7Anthony Hunt (born 1932) is an English structural engineer of nu

9、merous world renowned build- ings, including the work for Norman Foster and Richard Rogers.Eva Jiricˇná CBE RA (born 1939) is a renowned Czech architect and designer, active in London and Prague.9Carlo Scarpa (1906