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1、中文 中文 4200 字, 字,3600 英文單詞, 英文單詞,19500 英文字符 英文字符文獻(xiàn)出處: 文獻(xiàn)出處:Taft M. Morphologies and Genealogies: Shaker Furniture and Danish Design[J]. Design “the comparative lowness of chairs, tables and stands”; “exposed dovetailing
2、and a frequent omission of moldings”; and “combination pieces” – designs that could be modi- fied to perform a variety of different functions (Andrews and Andrews 1937, 27, 28). Furthermore, the book’s images of interior
3、s with furniture objects in situ, paired with books or textiles and little else, resembled the practice already in use in the Cabinetmaker’s Guild Exhibitions, where furniture was arranged into what one critic would late
4、r call “l(fā)ittle scenes” (M.N. 1948). The photographs of Shaker interiors depicted furniture that, in its wooden materials, simple forms, and suggestive staging, looked like Danish design.Of course this was rather the poin
5、t. As historian William Moore has recently argued, Shaker furnishings were popularized in the United States during the 1930s precisely because they bore resemblance to contemporary modernist designs (Moore 2013, 11–12).
6、The Andrews’ book was but one project in a broader effort to develop a historical American culture.6 Far more significant state- side, and preceding the publication of Shaker Furniture, was the Index of American Design,
7、a depression-era, Federal Arts Project (FAP) effort to catalogue not only Shaker material culture but also many other “articles of daily use and adornment in this country from early colonial times to the close of the nin
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