室內(nèi)樂(lè)中鋼琴與大提琴的合作藝術(shù)——兼析舒曼幻想曲三首o(hù)p.73

1、武漢音樂(lè)學(xué)院碩士學(xué)位論文室內(nèi)樂(lè)中鋼琴與大提琴的合作藝術(shù)——兼析舒曼《幻想曲三首》（Op.73）姓名：陳婭申請(qǐng)學(xué)位級(jí)別：碩士專(zhuān)業(yè)：音樂(lè)學(xué)指導(dǎo)教師：田園;朱愛(ài)國(guó)20050601武漢音樂(lè)學(xué)院碩士研究生學(xué)位論文 陳婭 室內(nèi)樂(lè)中鋼琴與大提琴的合作藝術(shù) 兼析舒曼 幻想曲三首 Op.73II Abstract As a type of Western classic music creation and

2、 performance, chamber music is more and more known and popular nowadays. The chamber music could teach us in cooperation and communication among the executants, let’s talk in music, people understand, help even obey each

3、 other. The performance art is changed into a useful utility and the interest is improved. All of these mentioned above are urgently required during the growth period of art. The three fantasias (Op.73) written by Schuma

4、nn is one of the best literatures among the chamber music. Undoubtedly, researching on this opus will develop the chamber music of our country and provide valuable reference for playing chamber music. The author of this

5、paper has many sense of chamber music through playing these works. In this paper, some basic experience will be introduced about cooperation of piano and violoncello in chamber music. Key Word Chamber music; Piano; Violo